Scott Simon

Scott Simon is one of America's most admired writers and broadcasters. He has reported from all fifty states, five continents, and ten wars, from El Salvador to Sarajevo to Afghanistan and Iraq. His books have chronicled character and characters, in war and peace, sports and art, tragedy and comedy.

Simon's weekly show, Weekend Edition Saturday, has been called by the Washington Post, "the most literate, witty, moving, and just plain interesting news show on any dial," and by Brett Martin of Time-Out New York "the most eclectic, intelligent two hours of broadcasting on the airwaves." He has won every major award in broadcasting, including the Peabody, the Emmy, the Columbia-DuPont, the Ohio State Award, the Robert F. Kennedy Journalism Award, and the Sidney Hillman Award. Simon received the Presidential End Hunger Award for his coverage of the Ethiopian civil war and famine, and a special citation from the Peabody Awards for his weekly essays, which were cited as "consistently thoughtful, graceful, and challenging." He has also received the Barry M. Goldwater Award from the Human Rights Fund. Recently, he was awarded the Studs Terkel Award.

Simon has hosted many television specials, including the PBS's "State of Mind," "Voices of Vision," and "Need to Know." "The Paterson Project" won a national Emmy, as did his two-hour special from the Rio earth summit meeting. He co-anchored PBS's "Millennium 2000" coverage in concert with the BBC, and has co-hosted the televised Columbia-DuPont Awards. He also became familiar to viewers in Great Britain as host of the continuing BBC series, "Eyewitness," and a special on the White House press corps. He has appeared as a guest and commentator on all major networks, including BBC, NBC, CNN, and ESPN.

Simon has contributed articles to The New York Times, The Los Angeles Times, The New York Times Book Review, The Wall Street Journal, The Sunday Times of London, The Guardian, and Gourmet among other publications, and won a James Beard Award for his story, "Conflict Cuisine" in Gourmet. He has received numerous honorary degrees.

Sports Illustrated called his book Home and Away: Memoir of a Fan "extraordinary...uniformly superb...a memoir of such breadth and reach that it compares favorably with Fredrick Exley's A Fan's Notes." It was at the top of several non-fiction bestseller lists. His book, and Jackie Robinson and the Integration of Baseball, was Barnes and Nobles' Sports Book of the Year. His novel, Pretty Birds, the story of two teenage girls in Sarajevo during the siege, received rave reviews, Scott Turow calling it, "the most auspicious fiction debut by a journalist of note since Tom Wolfe's. . . always gripping, always tender, and often painfully funny. It is a marvel of technical finesse, close observation, and a perfectly pitched heart." Windy City, Simon's second novel, is a political comedy set in the Chicago City Council. Baby, We Were Meant for Each Other, an essay about the joys of adoption, was published in August 2010.

Simon's tweets to his 1.25 million Twitter followers from his mother's bedside in the summer of 2013 gathered major media attention around the world. He is completing a book on their last week together that will appear in time for Mother's Day 2015.

Simon is a native of Chicago and the son of comedian Ernie Simon and Patricia Lyons Simon. His hobbies are books, theater, ballet, British comedy, Mexican cooking and "bleeding for the Chicago Cubs." He appeared as Mother Ginger in the Ballet Austin production of The Nutcracker.

One spring morning in 2015, Barbara Lipska got up as usual, dyed her hair and went for a jog in her suburban Virginia neighborhood.

But when she returned from a much longer than expected run, her husband Mirek was completely taken aback.

"I was lost in my own neighborhood," Lipska says. "The hair dye that I put in my hair that morning dripped down my neck. I looked like a monster when I came back home."

Pictures can be poems and vice versa: they're feelings captured in a phrase, a stroke, or an image. Leonardo da Vinci said, "Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen."

Lee Bennett Hopkins and the Metropolitan Museum of Art asked a number of poets to look at great classic art from the museum's collection and reflect their feelings in new poems.

The book that results is World Make Way: New Poems Inspired By Art From The Metropolitan Museum Of Art.

A generation after it won the Pulitzer Prize for drama, Edward Albee's Three Tall Women makes its Broadway debut this week.

Three women of different generations — one in her 90s, one in her 50s, one in her 20s — are brought together around a deathbed. They bark, joke, bicker and compare their different vantages in life.

The narrator of Ariel Lawhon's new novel asks readers on the first page: "Am I truly Anastasia Romanov? A beloved daughter. A revered icon. A Russian grand duchess? Or am I an impostor?"

Mari Andrew is the dark-haired woman in black glasses, both in real life and in the cartoons she draws for her Instagram account. She illustrates what she learns as she goes along — about loss, love and trying to grow up by the time you're 30 and accused of being an adult.

In Am I There Yet?: The Loop-De-Loop, Zigzagging Journey To Adulthood, Andrew has produced a book of cartoons, short essays, and pointed observations drawn — in all ways — from a couple of difficult years.

At 19, R&B singer Ravyn Lenae knows how to channel her heartache. The Chicago-born artist's latest EP, Crush, proves that young people know love's perils just as well as the older and wiser. Her music recreates the merry-go-round of falling in love, even when you know it's with the wrong person.

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SCOTT SIMON, HOST:

The Merry Spinster is one of the most anticipated books of the spring. Author Daniel Mallory Ortberg has recast classic tales, including "The Little Mermaid," The Velveteen Rabbit, "Beauty and the Beast," and even parts of the Old Testament, to make them resonate with new takes on romantic love, property rights, abusive relationships, gender roles and the stuffed animals we hold dear — and their unsparing lack of sentimentality.

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