Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
5:03 pm
Thu March 21, 2013

A 'Devil' In The Details Of A Brotherly Rivalry

Brothers Rash and Mo (James Floyd and Fady Elsayed) live in the rough working-class London neighborhood of Hackney — but which sibling is the titular designee in My Brother the Devil gets harder and harder to determine as the film goes on.
108 Media

Shot entirely in Hackney — a mostly ungentrified London borough — My Brother the Devil has a strong odor of authenticity. The main characters are of Egyptian origin, but their friends include people rooted in West Africa and the Caribbean. All are linked by poverty, alienation and a gangsta worldview popularized by American movies and hip-hop.

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Movie Reviews
5:03 pm
Thu March 14, 2013

'Burt Wonderstone': Vegas, When The Magic Stops

Anton Marvelton (Steve Buscemi) and Burt Wonderstone (Steve Carell) are Vegas magicians whose gimmicky, vintage-style act is no match for their modern audiences.
Ben Glass Warner Bros. Pictures

There are some funny bits and characters around the edges of The Incredible Burt Wonderstone, but its core is empty of humor. In fact, this purported satire of Las Vegas magicians is a three-void circus: the script, the central character and the main performance.

The committee-written screenplay begins with the premise that, 20 years after the illusion-busting Penn and Teller set up in Vegas, there could still be a market for a pair of old-school tricksters who call themselves Burt Wonderstone and Anton Marvelton.

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Movie Reviews
5:00 pm
Thu March 7, 2013

Friendship Fades To Bleak 'Beyond The Hills'

As Voichita (Cosmina Stratan) settles into life as a Romanian Orthodox nun, her childhood friend Alina (Cristina Flutur) returns to try to draw her out of a life of deep religious piety.
Sundance Selects

The opening shot of Cristian Mungiu's Beyond the Hills may look somewhat familiar. As in the Romanian writer-director's previous film, 4 Months, 3 Weeks and 2 Days, a young woman strides purposefully while a handheld camera follows mere inches behind. She's on a mission to help a close friend, her resolve demonstrated by the way she marches against two lines of travelers who've just disembarked from a train.

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Movie Reviews
6:02 pm
Tue March 5, 2013

'Dead Man Down': A Gang-War Drama That's Practically D.O.A.

Victor and Beatrice (Colin Farrell and Noomi Rapace) are two central cogs in the multiethnic New York City revenge war that rages throughout Dead Man Down.
John Baer FilmDistrict

Originally published on Fri March 8, 2013 12:17 pm

Dead Man Down is the first American film from Niels Arden Oplev, director of the original Girl With the Dragon Tattoo, but it's not very American. This twisty existential thriller is set in a New York City that's as sun-deprived as Stockholm in January — and one in which nearly everyone speaks English as a second language.

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Movies
5:03 pm
Thu February 28, 2013

Soviet Ghosts Resurface In Soggy 'Phantom'

Grizzled Soviet submarine captain Demi (Ed Harris) fights crew subversion and personal pain in a losing Cold War struggle against American opponents.
RCR Distribution

Explosions rattle the crew. The air is turning fetid. And the captain has ordered a descent toward "crush depth." Yet everything is on course in Phantom, the newest model of the old submarine-from-hell picture.

But the predictability of writer-director Todd Robinson's film is, well, predictable. There are only so many things that can happen in the close quarters of an imperiled sub. What Robinson purports to do is show those familiar undersea events from a different vantage point. All the characters in Phantom serve in the Soviet navy of the 1960s.

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Movie Reviews
5:03 pm
Thu February 14, 2013

Kiarostami Eyes Tokyo 'Like Someone In Love'

Akiko (Rin Takanashi) is a young call girl and university student in modern Tokyo who hesitantly befriends an elderly male client.
IFC Films

Iranian director Abbas Kiarostami's Like Someone in Love opens far from Tehran, in a noisy Tokyo bar.

"When did I lie to you?" asks an unseen woman, ensnarled in a difficult cellphone exchange. The viewer is already trying to decipher this person, without even glimpsing her.

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Movie Reviews
5:04 pm
Thu February 7, 2013

A Sorcerer, A White Snake, And Lots Of CGI Magic

The demon snake sisters (Charlene Choi and Eva Huang) disguise themselves as beautiful women in The Sorcerer and the White Snake.
Magnet Releasing

Originally published on Thu February 7, 2013 8:14 pm

In the opening sequence of The Sorcerer and the White Snake, two monks step through a giant gate and find themselves in a new world — one made entirely of computer-generated images. Only Fahai (Jet Li) and his disciple Neng Ren (Zhang Wen) are human.

"Don't believe everything you see," the older man warns.

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Movie Reviews
5:04 pm
Thu February 7, 2013

Warning: 'Side Effects' May Include Eye-Rolling

In Steven Soderbergh's medical thriller Side Effects, Emily (Rooney Mara) goes through an emotional crisis — and then a psychopharmacological one — after her husband Martin (Channing Tatum) is released from prison.
Eric Liebowitz Open Road Films

It's the drug's fault, man. That's the defense offered by the perpetrator brought to trial in Side Effects, a stylish, vaguely Hitchcockian dud. But what excuse does this fatally silly movie have?

The film, reportedly the final big-screen effort for prolific director Steven Soderbergh, begins in a New York apartment where something bad has happened. Blood on the floor, smeared and tracked by footprints, suggests murder, suicide or extreme clumsiness.

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Movie Reviews
5:03 pm
Thu January 31, 2013

'Bullet To The Head': No-Brainer Bubblegum

Sung Kang plays a D.C. cop at large in New Orleans, where he finds himself in an uneasy alliance with hit man Sylvester Stallone in the blues-rock driven crime drama Bullet to the Head.
Frank Masi Warner Bros. Pictures

Adapted from a French graphic novel and outfitted with an ethnically diverse cast, Bullet to the Head is an artifact of a newly internationalized Hollywood. But that doesn't mean it feels especially new.

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Movie Reviews
5:03 pm
Tue January 22, 2013

A Poignant Voyage On 'The Pirogue'

More than 30 men set out to sea in the titular boat of The Pirogue. With that many actors and only an hour of time, not every character gets fleshed out — but the director's eye for singular faces helps.
ArtMattan Productions

The journey from Senegal and poverty to Europe and supposed prosperity takes seven days by fishing boat. The Pirogue spends only about an hour on open water, but that's enough to convey the risks that make the trip foolish, and the desperation that makes it inevitable.

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