Mark Jenkins

A murder mystery narrated by a toxically self-aware teenager, Sam Munson's 2010 novel The November Criminals is the kind of book that attracts smart filmmakers and serious actors — that then, all too often, gets diluted into a bland disappointment like November Criminals.

Arriving in supposedly liberal Europe, a refugee is hounded by the authorities but saved by a handful of scruffy outsiders. If the scenario of Aki Kaurismaki's The Other Side of Hope sounds familiar, that might be because it's essentially the same as the plot of its predecessor, 2011's Le Havre. The principal distinction is that the Finnish writer-director's latest comic melodrama is darker and more directly tied to current events.

In 1823, the publication of "A Visit from St. Nicholas" (aka "The Night Before Christmas") put into circulation holiday lore that retailers, advertisers, and other true believers have been rejiggering ever since. So it's a tad presumptuous to call Charles Dickens, whose A Christmas Carol was published 20 years later, The Man Who Invented Christmas.

'Wonder': Why?

Nov 16, 2017

Life is hard for the Pullmans, the affluent Brooklyn family at the heart of the watchable but underachieving Wonder — or at least that's what this semi-comic weepie sets out to demonstrate. Yet the Pullmans' troubles, which stem from their youngest member's medical condition, turn out to be as superficial as the boy's disability.

The protagonist of Thelma is immensely powerful. But does teenage Thelma (Eili Harboe) derive this mojo from her budding sexuality? Does the woman, just beginning college in Oslo, squeeze demonic juice from rejecting her parents' austere Christianity? Is the small-town naif's chandelier-shaking force a medical matter?

Or is Thelma just a fledgling filmmaker?

There's one thing curator-producer Jeff Deutchman couldn't have known when he set out to make 11/8/16, a coast-to-coast, dawn-to-midnight look at the most recent U.S. presidential election day. Not who was going to win, but how inescapable the effects of that victory would be.

'The Square' Is Edgy

Oct 26, 2017

Life does not imitate art in Swedish writer-director Ruben Östlund's The Square. No, something much worse happens: Life imitates conceptual art.

The Square is the first Swedish movie to win the top prize at the Cannes Film Festival since 1992's The Best Intentions. That's ironic, since Östlund's often startling satire is about a man with the best of intentions: a contemporary-art museum director tellingly named Christian (Claes Bang). He's handsome, successful, and, of course, as insensitive and self-centered as the rest of us.

Todd Haynes may not have been at the top of anyone's list of potential kiddie-movie directors before Wonderstruck, but the movie does dovetail with several of the filmmaker's previous projects.

In the anxious years after World War II, crusaders for decency accused many comic books of promoting deviant behavior. In the case of Wonder Woman, at least, the bluenoses were entirely correct. Some of the vintage Wonder Woman panels reproduced in Professor Marston and the Wonder Women are seriously kinky.

That was intentional and, in a way, high-minded. Briefly a professor of psychology, Wonder Woman creator William Moulton Marston wanted to bring his DISC theory (Dominance, Inducement, Submission, Compliance) to the pubescent masses.

Director Hany Abu-Assad's film, which stars Kate Winslet, Idris Elba and a cute dog, is prettily shot but blandly predictable.

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