Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

Sunday night's Mad Men was the antepenultimate episode of the series – a word we don't get to use enough, but one that can be surprisingly significant in television. The second to last episode is often (rightly or wrongly) understood and analyzed as finale table-setting, so this third to last episode is sometimes the last that feels like the regular show. And for Mad Men, it seemed to serve as a crystallizing hour for the themes that the show has returned to over and over, reaching no conclusions about those themes but turning them over and over in its narrative hands.

Another year, another Free Comic Book Day!

It's been many years since I did my three semesters of college a cappella, but it remains a genre of performance for which I have enormous affection. In 2012, the arrival of Pitch Perfect meant that suddenly, I knew a lot more people who even knew what a college a cappella was.

Just a very quick post this week while I work my way through my emotions about the International Championship of Collegiate A Cappella.

On the show this week, we're joined by our pals Gene Demby and Kat Chow to tackle the issue of food in culture, including cooking shows that feature great cooks, cooking shows that feature lousy cooks, and cooking shows that actually make us better at cooking. We talk about food for the soul and food for the glutton, and we learn a fascinating biographical tidbit about Kat.

It's fair to say George Lucas is a person who has had a lot of attention paid to him.

The opening moments of Good Kill, a new drama starring Ethan Hawke and written and directed by Andrew Niccol (who also directed Hawke in Gattaca), almost eerily resemble the opening moments of American Sniper. A man watches and tries to interpret the movements of a woman and child who don't see him, deciding whether to kill them. This man, however, isn't concealed nearby. The woman and child are in Afghanistan and the man is piloting a drone from an air conditioned trailer on a military base in Nevada.

Why open a film festival whose reputation is for independent voices with a documentary salute to Saturday Night Live?

One of the central conceits of the first season of HBO's Veep was the carnival of humiliations suffered by Selina Meyer, played so brilliantly by Julia Louis-Dreyfus, in her capacity as vice president. She battled for relevance while waiting for the phone to ring, surrounded by a staff even more determinedly clinging to shreds of power and significance than she was. Later, Selina wound up battling primary opponents in her own bid to become president — a path that proved to have its own endless frustrations.

This week, paired with the return of Louie, FX introduced a comedy series called The Comedians, which features Billy Crystal and Josh Gad as ... well, as Bizarro Billy Crystal and Josh Gad, forced to work together on a fictional FX sketch comedy show.

Does that make sense?

It's always a pleasure to welcome Barrie Hardymon to any Pop Culture Happy Hour, even a short one. So this week, we sat down to chat about Wolf Hall, the prizewinning novel an adaptation of which just started airing on PBS. Barrie and I talk sweating sickness, intrigue, kings, sad stories, and the fact that she is available for all your "what's going on in this scene" needs. Seriously. You can tweet at her. She thinks about Henry's wives a lot.