Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

I'm just going to tell you right off the bat, you guys: we really liked Inside Out. This does not exactly make us outliers in the critical landscape, but we sit down this week with the great Kat Chow of NPR's Code Switch team to talk about the film. It's a thought-provoking story and visually inventive, so we'll spend some time on the various creative forces at work. At the same time, we ding its one weak scene that unfortunately shows up in a lot of the trailers and we debate who cried the most.

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Audiobooks have traditionally been tricky to get right and even harder to make special. Very often, they're literally just books read aloud, to the best of the ability of a single, usually highly skilled reader. In fiction, you get readers who are asked to provide voices for however many characters the author invented.

You may have heard that Jurassic World made more than $500 million worldwide in its opening weekend. That's $500 million, 5-0-0. Its nearly $209 million weekend in the U.S. alone makes it the highest-grossing U.S. opening weekend ever. That's ever, e-ver.

So how's the movie? It's fine. Does it justify having had the biggest domestic box-office opening weekend of all time? That's a pretty tall order for a pretty medium-sized movie, creatively speaking.

HBO's Silicon Valley ends its second season Sunday night with a finale I have seen and will warn you is so tense that I actually skipped forward a little bit at one point. That's how suspenseful I found it. And remember: it's a comedy.

This week, we're lucky enough to welcome our pal Audie Cornish back to the panel for a discussion of Spy, the latest comedy (after The Heat and Bridesmaids) to team Melissa McCarthy with director Paul Feig. (If you're nostalgic, you can listen to our affectionate review of The Heat here. It's also the episode with a whole segment on The Price Is Right. Happy Friday!)

Sydney Lucas didn't happen to win the Tony Award she was nominated for on Sunday night, but it took nothing away from the fact that she was the highlight of the entire broadcast. Lucas plays Small Alison in Fun Home, the musical adaptation of Alison Bechdel's graphic memoir about her coming of age that won the award for Best Musical. Lucas sang "Ring Of Keys," which tells the story of Alison seeing a woman who ... well, she'll tell you.

This week is a special one for us at Pop Culture Happy Hour: we invited our pals Barrie Hardymon and Petra Mayer, along with the marvelous and hugely knowledgeable Sarah Wendell, who runs the romance web site Smart Bitches, Trashy Books.

Here's what you're really looking for if you're looking at this post: the list of recommendations, both authors and specific books (and a couple other things) that all of us (mostly Sarah) rattled off over the course of this show. So let's just get on with it.

Let's get weepy, people. Seriously, seriously weepy. And ... I mean, spoiler alert, obviously. But this show and movie sort of spoils itself structurally, so.

It's pretty rare for us to spend much time on something with no redeeming qualities at all, but it's also pretty rare to come across something as devoid of redeeming qualities as The Briefcase.