Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

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Monkey See
10:19 am
Wed May 14, 2014

An Interview With The Alleged Purse Of Solange Knowles

Solange Knowles attends the Costume Institute Gala at the Metropolitan Museum of Art on May 5.
Larry Busacca Getty Images

This is the third in a very occasional series of posts in which we interview inanimate objects during fever dreams.

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Monkey See
1:57 pm
Tue May 13, 2014

A First Glimpse: Sometimes You're The Batmobile, Sometimes You're The Bat

Today, Zack Snyder, the director of Batman vs. Superman, due in 2016, tweeted what he said was the first photo of the Batmobile. Beside it is ... Batman! Or, as Snyder put it, "#Batman." Because that's what we do now instead of using our words.

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Monkey See
9:51 am
Mon May 12, 2014

The Comb, The Thrill And The Flop

Emanuel Gottlieb Leutze's 1851 painting "Washington Crossing the Delaware" seen at the Metropolitan Museum of Art in 2012.
Timothy A. Clary AFP/Getty Images

Saturday at about 10:30 in the morning, as New York took a turn for the muggy in what turned out to be anticipation of rain, I climbed the steps to the Metropolitan Museum Of Art and rented one of the audio guide units that hang around your neck on an orange strap. I stayed about five hours, wearing out the battery on the audio unit and turning it in for another, wandering from the Egyptian art into the Temple of Dendur, through European sculptures to Arms and Armor and the American Wing, through Oceania, Africa and the Americas.

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Monkey See
11:41 am
Fri May 9, 2014

Daniel Radcliffe And The Blood And Breath Of Live Theater

Originally published on Fri May 9, 2014 2:55 pm

There is a strong crossover between your Daniel Radcliffe People and your Harry Potter People, for obvious reasons. Next to me at Broadway's Cort Theater on Thursday night, watching Radcliffe in Martin McDonagh's comedy The Cripple Of Inishmaan (a production that's Tony-nominated for Best Revival Of A Play) were three young women. Their first priority: finding out where to await him when the show was over, and strategically how to get a good spot.

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Monkey See
10:19 am
Fri May 9, 2014

Pop Culture Happy Hour: 'Star Wars,' 'Louie' And Other Phenomena

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We're joined this week by the lovely Petra Mayer of NPR Books, who brings her serious sci-fi and fandom chops to our opening chat about the big Star Wars news.

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Monkey See
9:19 am
Wed May 7, 2014

Once More Into The Jaws Of The TV Dinosaur Known As Upfrontasaurus

Look, this is a dinosaur, okay? It could be any dinosaur. It has sunglasses on. We're not in scientific reality. Don't ask specific dinosaur questions.
iStockphoto

Next week, the broadcast networks — ABC, NBC, CBS, Fox and the CW — will make their upfront presentations in New York. (There are some scattered cable ones too, like ESPN and TNT/TBS.) This is where they present their new shows, in the form of clips and sizzle reels, to advertisers. From a business perspective, it's really important in the same way that any sales pitch is really important: they sell ads, they make money, and when they get the advertising people excited, a show becomes a presumed frontrunner before it even premieres.

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Monkey See
9:09 am
Fri May 2, 2014

Pop Culture Happy Hour: Posthumous Projects And People We're Pulling For

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This week's show finds us chatting with our pal Gene Demby of NPR's Code Switch about, among other things, posthumous projects. There are still films coming out from Paul Walker and Philip Seymour Hoffman, there's an upcoming release of Michael Jackson recordings, and life after death for musicians is practically a tradition. We talk about Kafka, J Dilla, David Foster Wallace, and the ethics of piecing together work that was unfinished or perhaps even abandoned when the artist is no longer around to say yes or no.

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Monkey See
8:07 am
Fri April 25, 2014

Pop Culture Happy Hour: Comedy, The News And A Bat Quiz

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All Things Considered host Audie Cornish joins us this week for an episode full of tough questions, comedy theory, and some really surprising information about all the ways that Batman has gotten weird over the last 75 years.

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Monkey See
3:33 pm
Thu April 24, 2014

A Punching Movie That Packs A Punch For People Who Like Punching

Paul Walker stars in Brick Mansions.
Relativity Media

It is never not awkward to talk about a film after one of the stars has died. That's perhaps never any more true than it is in the case of Brick Mansions, one of the last films of Paul Walker. Walker died in November of last year after a career that included a lot of movies like this one: silly, hyper action thrillers that often included, as this one does, moments in which everybody in the theater chortled at their insane, cartoonish brutality.

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Monkey See
11:58 am
Thu April 24, 2014

'The Other Woman': When Terrible Movies Happen To Funny Actresses

Leslie Mann, Nicki Minaj, Cameron Diaz and Kate Upton have nothing to do in The Other Woman.
Barry Wetcher Twentieth Century Fox

Originally published on Fri April 25, 2014 8:19 am

There is a moment in The Other Woman in which Leslie Mann and Cameron Diaz, playing a wife and her husband's former mistress — now friends — fall into a hedge together. When they're spotted, there's a little bit of physical business that's legitimately funny. If you can ignore the fact that the moments of this kind scattered through the film are decorating such a conceptually odious, stupid-to-the-bone enterprise, some of them may make you laugh.

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