Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

You don't need me to tell you how much more television there is than there used to be, or how many more places you can find it. You don't need me to tell you that its population of creatively ambitious and idiosyncratic shows has grown enormously, as has its population of cheaply made UCSs – Undiscovered Channel Shows, where you learn that a show is entering its third season and only then do you realize that (1) it exists and (2) your byzantine cable menu actually does get that channel (although perhaps not in HD).

The first season of Master Of None, the thoughtful Netflix comedy starring Aziz Ansari and created by Ansari and Alan Yang, was one of the best pieces of comedy-drama to come out in 2015. Now, about a year and a half later, they're back with a second season that is even better, more ambitious, more creative and more moving than the first run was.

On this week's show, we have probably the biggest tonal difference between our first and second segments in our history, so stay with me.

The only surprising thing about Bette Midler coming to Broadway in a revival of Hello, Dolly! is that she hadn't already come to Broadway in a revival of Hello, Dolly! There have been many incarnations of Dolly Levi (including Carol Channing, Pearl Bailey, Ginger Rogers, Ethel Merman, Mary Martin, and, in the film, Barbra Streisand), but perhaps none more blindingly obvious than Midler.

The first thing comedian Chris Gethard says in his new special, Career Suicide, is that he started seeing his current psychiatrist in 2007, but only started dating the woman who's now his wife in 2012. His doctor — named Barb — is the framing device for an hour and a half of discussion about depression, anxiety, telling people you have depression and anxiety, and what it is that people need and ask from one another.

First up, let me mention this: one big piece of news out of this week's show is that we announced a live show at the Bell House in Brooklyn on June 6. Tickets will be on sale May 9, and we've been known to sell out pretty quickly sometimes, so be there at noon on Tuesday the 9th and grab your tickets!

Last year, the Tony Awards were swamped, particularly in the minds of many who only follow theater casually, by the phenomenon that was Hamilton. It got 16 nominations, it seemed like (and was) a lock to win many of them, and every other Tony story struggled to get a little bit of sunlight.

We're always excited for the beginning of summer movie season. Despite the fact that it's almost guaranteed to contain some major disappointments and jarring disasters, we often find goofy fun, sharp writing and new stars blowing up (sometimes literally) our cinematic seasons.

The first thing you may notice about Great News, a comedy premiering Tuesday night on NBC, is its similarities to 30 Rock. Here, a news producer named Katie (Briga Heelan) has her work life disrupted when her boss (Adam Campbell) hires her loving but overbearing mom (the great Andrea Martin, late of SCTV and truckloads of comedy since then) as an intern at the station. And while the focus is news rather than late night, the frustrated goofball at the center of a constantly careening television production has a familiar tone.

The first thing you should know about this week's show is that PCHH regular Glen Weldon has a strict rule against seeing Fast And The Furious movies, and while he would have waived it if he absolutely had to, we fortunately had willing correspondents in beloved fourth chairs Gene Demby and Chris Klimek, so they joined me and Stephen Thompson for our first segment.

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