Ella Taylor

Ella Taylor is a freelance film critic, book reviewer and feature writer living in Los Angeles.

Born in Israel and raised in London, Taylor taught media studies at the University of Washington in Seattle; her book Prime Time Families: Television Culture in Post-War America was published by the University of California Press.

Taylor has written for Village Voice Media, the LA Weekly, The New York Times, Elle magazine and other publications, and was a regular contributor to KPCC-Los Angeles' weekly film-review show FilmWeek.

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Movie Reviews
5:03 pm
Thu November 8, 2012

Romance, Scandal And 'A Royal Affair' Of The Heart

The titular affair takes place between the Queen of Denmark (Alicia Vikander) and her ailing husband's physician (Mads Mikkelsen).
Magnolia Films

The Oscar race for best foreign-language film rarely comes without a helping of muslin-and-bonnet dramas stuffed with misbehaving royals, masked balls and burgeoning job opportunities for food stylists. As heritage cinema goes, however, the year's Academy Award entry from Denmark is a firecracker.

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Movie Reviews
5:03 pm
Thu November 1, 2012

Amid Discord, A 'Quartet' Strives For Harmony

Members of a famous string quartet (Mark Ivanir, Philip Seymour Hoffman, Christopher Walken and Catherine Keener) fight to stay together despite internal conflict.
RKO Pictures

Originally published on Fri November 2, 2012 12:56 pm

It's rare these days to see an old-fashioned, elegant chamber-piece movie about life and art โ€” let alone one with Christopher Walken as, of all things, a steadying influence.

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Movie Reviews
5:03 pm
Thu October 18, 2012

Life, And Something Like Love, In An Iron Lung

Mark (John Hawkes), a disabled man who has spent most of his life in an iron lung, decides to lose his virginity to a sex surrogate, Cheryl (Helen Hunt).
Fox Searchlight

Disability biopics, especially the kind that bring audiences to their feet at Sundance, rarely have anywhere to carry us but on a linear journey from pity via empathy to tearful uplift.

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Movie Reviews
5:03 pm
Thu October 11, 2012

Two Films, Two Takes On Living With Genocide

Simon and the Oaks serves as a rather too cozy consideration of Nazi sympathies in Sweden during the early years of World War II.
The Film Arcade

Simon and the Oaks, a handsomely upholstered Swedish drama about two troubled families trying to survive World War II, is based on a runaway best-selling novel by Marianne Fredriksson. The film was made with money from several Scandinavian countries once occupied by the Nazis, as well as from Germany itself. It won a truckload of Swedish Oscars, and in the accolades heaped upon the movie, the word "epic" is thrown around with abandon.

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Movie Interviews
4:47 pm
Tue October 9, 2012

Andrea Arnold Tackles An Iconic Love Story

Filmmaker Andrea Arnold won the Cannes Film Festival's Jury Prize for her 2006 film Red Road; her short film Wasp earned her an Oscar the year before.
Oscilloscope Pictures

Originally published on Tue October 9, 2012 5:51 pm

Not counting Twilight, Emily Bronte's 1847 novel, Wuthering Heights, has been plundered, adapted and remade to death, including, it's not commonly known, by Luis Bunuel and Jacques Rivette. Most people know the book through movies, television miniseries, or even from the hilarious Monty Python semaphore version.

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Movie Reviews
5:03 pm
Thu October 4, 2012

'Oranges' Appeal: Not Your Average Suburban Holiday

The Ostroffs (Allison Janney and Oliver Platt) and their good friends, the Walling family (Hugh Laurie and Alia Shawkat), are shaken when the Ostroffs' daughter comes home for the holidays.
Myles Aronowitz ATO Pictures

Originally published on Thu October 4, 2012 6:22 pm

Dang if Home for the Holidays season hasn't rolled around again โ€” that jolly time of year when screenwriters dust off childhood memories of mildly distressed families and distress them further for our sentimental education. Yet if it seems a little early-autumn yet for that sort of thing, please welcome a surprisingly superior specimen of the genre, courtesy of the best indie ensemble money can buy.

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Movie Reviews
9:03 am
Wed September 26, 2012

'Won't Back Down' Takes A Too-Easy Way Out

Nona (Viola Davis), a well-meaning teacher, teams up with warrior mom Jamie (Maggie Gyllenhaal) to fix the education system that failed their children.
Kerry Hayes Twentieth Century Fox

Originally published on Wed September 26, 2012 11:49 am

Among the many remedies we have flung at our foundering inner-city schools is a force we have reckoned without: Maggie Gyllenhaal, raising hell in the feistily titled Won't Back Down as a harried single mother eking out a living selling cars in a proletarian city, nobly represented under lowering skies by Pittsburgh.

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Movie Reviews
5:03 pm
Thu September 20, 2012

Teen Rebellion, Written On The Body In '17 Girls'

Inspired by events in Gloucester, Mass., 17 Girls focuses on a gaggle of French high schoolers who make a pregnancy pact รขย€ย” in large part to exercise control over their lives.
Strand Releasing

The idea for 17 Girls, a woozy fever dream about a bunch of French provincial high-school girls who make a pact to get pregnant together, came from a similar, well-publicized 2008 event in Gloucester, Mass.

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Movie Reviews
5:03 pm
Thu September 20, 2012

A Modern 'Plague,' And The Heroes Who Tamed It

How to Survive a Plague features Peter Staley and others who fought to bring attention to the AIDS epidemic of the 1980s.
William Lucas Walker IFC Films

Originally published on Fri September 21, 2012 12:26 pm

Late in How to Survive a Plague, a fair-minded, careful history of the AIDS-activist movement ACT UP, comes an affecting montage that bears witness to the triumph and the tragedy of the New York-based group's radical crusade โ€” a push to get affordable treatment for a disease that, at its peak in the late 1980s, was killing millions worldwide.

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Movie Reviews
5:44 pm
Thu September 13, 2012

'Master' Actors Deliver Glimpse Into Cult Life

Navy veteran Freddie (Joaquin Phoenix) falls under the influence of cult leader Lancaster Dodd (Philip Seymour Hoffman) in The Master.
Phil Bray The Weinstein Co.

Originally published on Fri September 14, 2012 1:12 pm

Overheard after a screening of The Master:

"So I guess this is an unfinished print?"

"Nope. This is the one they're rolling out."

And it's true that there are moments, especially toward the end of its meandering 137 minutes, when The Master feels like a series of brainy but disconnected thoughts about 20th-century America. That's how writer-director Paul Thomas Anderson works, and for those who don't insist on coherence or closure in narrative any more than they do in life, it's part of the thrilling madness of his method.

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