David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
11:06 am
Fri July 6, 2012

'Savages:' A Violent, Drug-Induced High

In Savages, the love triangle among Chon (Taylor Kitsch), O (Blake Lively) and Ben (Aaron Johnson) is disrupted when O is kidnapped by a Mexican cartel.
Francois Duhamel Universal Studios

Originally published on Fri July 6, 2012 11:57 am

Often I'm asked, "What's the worst movie ever made?" and I say, "I don't know, but my own least favorite is Oliver Stone's Natural Born Killers." The early script by Quentin Tarantino was heavily revised, and the final film became a celebration of serial killers, now existential heroes with absolute freedom. Beyond the bombardment that was Stone's direction, the worldview was abominable.

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Movie Reviews
5:03 pm
Thu June 28, 2012

'Beasts': Taking Southern Folklore To The Next Level

Hushpuppy, the 6-year-old at the center of Beasts of the Southern Wild, is played by Quvenzhane Wallis, who was found by director Benh Zeitlin in a Louisiana elementary school.
Fox Searchlight

Originally published on Fri June 29, 2012 3:58 pm

The parents of director Benh Zeitlin are folklorists, which is as good a way as any to account for the ambitions of his first feature, Beasts of the Southern Wild. The film is a mythic odyssey laced with modern ecological anxieties, captured in a free-form, image-driven narrative that recalls Terrence Malick's The Tree of Life. It's clear from the outset that Zeitlin aims to take the family folklore business to the next level.

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Movie Reviews
1:29 pm
Fri June 22, 2012

Pixar's Fast And 'Brave' Female Comedy: 'Delightful'

In Brave, Merida goes in search of a spell to get back at her mother, who wants to force her to marry a suitor.
Disney/Pixar

First, I hate the title, and not because it's an adjective. Notorious, Ravenous, Rabid: great titles. Brave? Generic. And with the poster of a girl with flame-red curls pulling back a bow, it looks like yet another female-warrior saga, another you-go-girl action picture suggesting the biggest injustice to women over the last millennium has been the suppression of their essential warlike natures.

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Movie Reviews
12:15 pm
Fri June 8, 2012

In 'Dark Horse,' A Wasted Life Plays Out On Screen

In Dark Horse, Abe (Jordan Gelber) and Miranda (Selma Blair) meet at a wedding and start a relationship soon after, though not for the most romantic reasons.
Jojo Whilden

Originally published on Fri June 8, 2012 3:46 pm

It's tough to get on Todd Solondz's wavelength, but boy is it worth the emotional gyrations. Just when you've decided he has too much contempt for his characters to do more than take cheap shots, he'll shock you with flashes of empathy, insights that cast a revelatory light over what came before. You could never call Solondz a humanist, but he achieves something I've never seen elsewhere: compassionate revulsion.

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Movie Reviews
1:11 pm
Fri June 1, 2012

A 'Snow White' As Bleak As It Is Grimm

Charlize Theron plays Queen Ravenna, who literally sucks the life out of female prisoners to keep herself looking young and vibrant.
Universal Pictures

Originally published on Fri June 1, 2012 6:09 pm

The ads for Snow White and the Huntsman show a glum Kristen Stewart dressed for battle, obviously playing the huntsman. Hold the phone, she's Snow White. Another storybook heroine turned warrior! Just like the princess in this year's first Snow White picture, Mirror Mirror, who not only goes mano a mano with her patronizing, patriarchal prince, but tells him she's sick of stories in which damsels take their distress lying down.

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Movie Reviews
12:00 pm
Fri May 25, 2012

A Wes Anderson 'Kingdom' Full Of Beautiful Imagery

Edward Norton plays a scoutmaster in search of his lost charge in Wes Anderson's latest film, Moonrise Kingdom.
Focus Features

Originally published on Fri May 25, 2012 3:11 pm

Many people are rapturous over the work of Wes Anderson, and for them, I expect, Moonrise Kingdom will be nirvana. The frames are quasi-symmetrical: a strong center, often human, with misaligned objects on each side suggesting a universe that's slightly out of balance, like a series of discombobulated dollhouses.

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