Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

Pages

Movie Reviews
5:03 pm
Thu August 22, 2013

Teenage Graceland: A Temporary Home For Troubled Kids

In Short Term 12, Grace (Brie Larson) counsels Marcus (Keith Stanfield), an angry young man about to age out of the foster care system.
Cinedigm

Originally published on Sun August 25, 2013 11:22 am

A group foster home + abused and at-risk kids + tough love + junior staff nearly as troubled as their charges: The potential for cliche is everywhere in Destin Cretton's enormously engaging Short Term 12, and — happily — is everywhere avoided. What might seem on paper a cloyingly sentimental heartwarmer becomes, in Cretton's hands, a briskly believable, often funny, always invigorating and ultimately wrenching story of emotional fortitude.

Read more
Arts & Life
4:31 pm
Wed August 7, 2013

Libraries' Leading Roles: On Stage, On Screen And In Song

Poor Donna Reed: Her Mary would have ended up working in a library — shudder — if not for the matrimonial intervention of Jimmy Stewart's George Bailey. Happily, 1946's It's a Wonderful Life isn't the only lens through which pop culture assesses the worth of the institution and those who make it tick.
RKO Pictures Getty Images

Originally published on Thu August 8, 2013 4:04 pm

When I was 9, I spent a lot of time at a public library just down the street; I was already a theater nerd, and it had a well-stocked theater section. Not just books, but original cast albums for Broadway shows old and new. One day, an addition: The Music Man, about a salesman who was crazy about a girl named, as one song put it, "Marrrrrrrion, madam librarian."

Read more
Movie Reviews
4:59 pm
Fri July 26, 2013

In Indonesia, A Genocide Restaged For The Camera

The opening of The Act of Killing, which seems like something out of a Bollywood musical, has a happy energy about it. But as we'll learn, the two men in the center led death squads in the 1960s, when an estimated 1.2 million Indonesians were killed. In Joshua Oppenheimer's astonishing documentary, they obligingly re-enact their crimes.
Drafthouse

Originally published on Mon July 29, 2013 12:01 pm

"Genocide in Indonesia." Those words probably don't make you want to rush out to see a new movie.

But what if we add these: Genocide in Indonesia, with gangsters, cowboys, dancing girls, men in drag and splashy musical numbers. They're all part of the year's strangest documentary, The Act of Killing.

Read more
Monkey See
6:16 pm
Tue July 23, 2013

90 Years Later, 'Safety' Still The Last Word With Harold Lloyd

Harold Lloyd (left) is the All-American Boy, a striver who'll brave nearly anything to get to the top and win The Girl. Noah Young is The Law (center) and Bill Strother is The Pal.
Criterion Collection

Originally published on Tue July 23, 2013 7:16 pm

There may be no film image more iconic: Harold Lloyd, high above the street, dangling from the minute hand of a giant department-store clock.

The face of the clock swings down; the minute hand bends. It's been 90 years since the silent era's greatest daredevil shot that sequence, and it still has the power to prompt shrieks and laughter.

Lloyd's character was the All-American Boy, innocent in his horn-rimmed glasses, eager to climb the ladder of success — and like many a social striver before him, he was plagued by anxiety that he'd fall before he got to the top.

Read more
Arts & Life
5:53 pm
Wed July 17, 2013

For Actress Ruby Keeler, Another Opening, Another Show

Broadway performer Ruby Keeler was a source of optimism for many during the Depression era, and nostalgia hit audiences hard when she returned to the stage decades later.
General Photographic Agency Getty Images

Originally published on Wed July 17, 2013 7:11 pm

Ruby Keeler was an unknown actress when she starred in the 1933 production of Busby Berkeley's 42nd Street.

But the movie was so popular she was able to land two more splashy musicals that same year — and seven more by the end of the decade. There was nothing extraordinary about her talents as a vocalist or as an actress, but audiences of the Depression era really bought into Keeler's "innocent" onstage persona. In fact, they craved it.

Read more
The Salt
5:32 pm
Mon July 15, 2013

In Argentina, Coca-Cola Tests Market For 'Green' Coke

Coca-Cola Life, a new product being rolled out in Argentina with a green label, is being marketed as a "natural" and therefore lower-calorie cola.
Coca-Cola

Originally published on Mon July 15, 2013 6:40 pm

Read more
Movie Reviews
5:03 pm
Thu July 11, 2013

A New Day, A Last Day, For One Man At 'Fruitvale Station'

Michael B. Jordan plays Oscar Grant, an Oakland man with a checkered past and a new determination to get his life right — until one terrible night at Fruitvale Station.
The Weinstein Co.

Originally published on Fri July 12, 2013 6:19 pm

Fruitvale Station, on the Oakland side of the San Francisco Bay: Grainy cellphone video from a day, four years ago, that commanded the nation's attention. Several young black men sit on a transit station platform, white transit police officers standing over them. There's shouting, scuffling, but nothing that looks worrisome.

Then what sounds like a shot.

Read more
Movie Reviews
5:03 pm
Thu July 11, 2013

A Kindergarten, A Story And A Life In Shambles

Mads Mikkelsen's Lukas is a recently divorced kindergarten teacher whose life is turned upside down when officials leap to conclusions after a 5-year-old says something that suggests improper conduct.
Magnolia

Originally published on Sat July 13, 2013 6:39 pm

Lukas works in a Danish kindergarten, and it's clear he's in the right place: When the kids look at him, they see a great big toy.

That's especially true for 5-year-old Klara, the lonely daughter of Lukas' best friend, Theo. Klara's folks fight a lot, and her teenage brother is too busy looking at dirty pictures with his buddies to pay her much attention.

Read more
Movie Reviews
11:53 am
Tue July 2, 2013

A Familiar Wild West, But The Guy In The Mask? Who's He?

There's a backstory for just about everything in Gore Verbinski's The Lone Ranger, including what drives the title character (Armie Hammer) to don the mask — and what's up with that dead crow Tonto (Johnny Depp) wears on his head.
Peter Mountain Walt Disney Pictures

Originally published on Wed July 3, 2013 7:25 pm

There's never been anything very lone about the Lone Ranger. He's always been accompanied by Tonto, his Native American sidekick; Silver his snow-white steed; and the William Tell Overture.

Read more
Book Reviews
7:03 am
Tue July 2, 2013

You'll Want To Hang Up On These 'Secret Conversations'

Originally published on Sat July 20, 2013 5:34 pm

A country girl from Grabtown, N.C., Ava Gardner arrived in Hollywood in 1941 knowing she couldn't act but, gorgeous as she was, she never had to let that slow her down. Her beauty — which reportedly intimidated Elizabeth Taylor — won her not just film roles and studio-paid acting lessons, but the attentions of all-American boy Mickey Rooney, whom she married and divorced before she turned 21. She had a similarly brief union with bandleader Artie Shaw — she called those two her "starter husbands" — before a tempestuous, headline-making marriage to Frank Sinatra.

Read more

Pages