Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

The contours of Pokey LaFarge's music have always evoked a time before he was born, but the here-and-now is center stage in the themes and messaging within.

On February 28, 1967, The Beatles were in Abbey Road Studios in London working on a new song, "Lucy in the Sky with Diamonds." Today we're premiering "take one," the first attempt The Beatles made at recording it.

Tim Darcy has a gifted voice, with a delivery that triggers the Lou Reed and Roy Orbison pleasure centers of my brain. The words he delivers are mysterious and mellifluous, playing in my mind's ear long after his newest album, Saturday Night — so named because it was mostly recorded on the weekends in the midst of making his other band's second album — comes to its close.

"This song is called 'You Never Loved Me' — it's another cheery, optimistic number," says Aimee Mann, introducing the second of four songs in this Tiny Desk Concert. She has been writing songs on the human condition — more often than not with a strong sense of humor to underpin the inevitable melancholy — as far back as the '80s, when she was the singer and bassist in Boston's The Young Snakes. Mann's newest solo record, the first in five years, is baldly called Mental Illness — clearly, there's a deep honesty within these songs.

This is likely the quietest Tiny Desk Concert ever.

The first time I saw Christopher Paul Stelling his face was red and his eyes were wide, singing as if he were about to burst apart, as if he had so much to tell us and too little time, as if his mind was racing faster than his tongue could keep up with. He's a singer with the spirit of Woody Guthrie both deep within and showing on his sleeve. Stelling has a new collection of songs he has titled Itinerant Arias, which he says "sounds a lot better than 'travelin' songs,'" but that's exactly what they are. Songs which have in common no single origin, or sense of place.

Since I see a lot of live music, I'm often asked to recommend concerts worth shelling out money for. So, starting today and hopefully each week to come, I'm going to take some time to tell you about the inspired shows I've recently seen. I'll post my photographs from the concerts and tour links when available, to assist in steering you towards events you might not think to check out.

I want to introduce you to Chad Clark, a Washington D.C. artist with the band Beauty Pill, which begins a tour today with a musical hero of Clark's and of mine, Arto Lindsay.

As the primary booker of the Tiny Desk Concerts, I have this self-imposed rule: No artist can come back for a second visit unless there's something wholly different about what they're doing. The first time alt-J played the Tiny Desk, in 2012, they came as a four-piece; electric guitar, bass, keyboards and drums. They were a pretty new band, their album had been out a few months and they were playing in clubs for a couple hundred people, not much more.

Pages