Originally published on Wed August 29, 2012 1:31 pm
Thanks to Townhall.com's Guy Benson, one of the hotter stories of the morning here in Tampa seems to be that actor/director/American icon Clint Eastwood is reportedly coming to the Republican National Convention and may be the "to be announced" speaker on Thursday night's schedule.
This is MORNING EDITION from NPR News. I'm David Greene.
And I'm Steve Inskeep. Good morning.
We've been hearing, all morning, reports of Hurricane Isaac coming ashore along the gulf coast, and we're going, now, to Craig Fugate. He is the FEMA Administrator, the Federal Emergency Management Agency - and he is spending the morning on the gulf coast. Mr. Fugate, where are you now?
I'm Michel Martin, and this is TELL ME MORE, from NPR News. Coming up, as we've kicked off our coverage of the Republican National Convention this week, we've asked a number of our guests what a successful country looks like to them. I'll explain why I'm asking that in my Can I Just Tell You essay. And that's coming up in a few minutes.
In her convention speech, Ann Romney talked about the role of women in America. Host Michel Martin caught up with Rep. Marsha Blackburn before the speech. Blackburn says the concerns of women voters were key in drafting the Republican platform. She co-chairs the GOP platform committee, and heads the Women's Policy Committee in the House.
Originally published on Thu August 30, 2012 6:08 pm
Seven years ago, Alesha Seroczynski became a central character in an incredible story about second chances for juvenile offenders in South Bend. With the University of Notre Dame, she developed Reading for Life, a program that combines reading literature, studying seven classic virtues — Justice, Prudence, Temperance, Fortitude, Fidelity, Hope, Charity — and being mentored to help students make better life choices.
Alesha and more than 30 volunteer mentors have graduated 150 juveniles from the program — 97 percent have not re-offended.
Originally published on Wed August 29, 2012 5:00 pm
When I was a kid, I awaited the annual publication of Leonard Maltin's Movie Guide with the awe and dread of a Parent/Teacher interview. Sure, film criticism is a subjective thing, but to my young eyes, the 16,000+ capsule reviews in Maltin's yearly reference book carried the weight of absolute truth. Each year, with the austerity of a poet and the precision of a diamond-cutter, Maltin and his army of cowriters pass swift, one-to-ten-paragraph judgment on hundreds of new films, and a small part of me will always believe the Guide is blessed with objectivity.