Friday marks the day that 100 years ago, Grand Central Terminal opened its doors for business for the very first time. The largest railroad terminal in the world, the magnificent Beaux-Arts building is in the heart of New York City on 42nd St. And while it no longer serves long-distance trains, it's still a vibrant part of the city's eco-system.
It took years for Democratic Rep. James Clyburn of South Carolina to become who he is today: the highest-ranking African-American in Congress.
And those years included many failures. During a visit to StoryCorps, his granddaughter Sydney Reed, who was 10 at the time of the recording, asks Clyburn a personal question: "Have you ever felt you wanted to quit?"
Originally published on Thu January 31, 2013 7:56 pm
So what did we learn from Secretary of Defense nominee Chuck Hagel's sometimes rocky confirmation hearing Thursday before the Senate Armed Services Committee?
1) We learned that the former two-term Republican senator from Nebraska with the reputation for speaking his mind and not sticking to his party's talking points has through the years said lots of things that could be used against him in such a setting.
In the U.S., farmers and farm workers alike say the current system to import temporary workers, especially in agriculture, is slow and fraught with abuses.
But the shape of a new guest-worker program is still being hashed out. Some say the U.S. should import temporary workers the same way Canada does. For nearly four decades, the governments of Canada and Mexico have cooperated to fill agriculture jobs that Canadian citizens won't do, and that Mexicans are clamoring to get.
Melissa spent months looking for a job â€” any job. For days, the 25-year-old consistently visited her welfare-to-work program in downtown Brooklyn, resume in hand and an interview smile splashed across her face.
"Every day, Monday through Friday, 9 to 4," she explains. "That's dedication."
Melissa, who asked us to not reveal her last name, has plenty of job experience. She's a self-identified "people person" and says she aces every interview. But there's just one thing holding her back: the past.
The Italian art-house film Caesar Must Die and the teen zombie-comedy Warm Bodies do not, at first glance, appear to have much in common. But they share a bit of creative DNA, both being inventive riffs that turn Shakespearean tragedies into something else entirely.