Originally published on Fri March 14, 2014 5:10 pm
The members of The Bright Light Social Hour landed in Austin in 2006 and soon after got a reputation for what has been described as shows "melding fists-up rock and roll with muscular funk, soul, and psychedelia." Their first album won the band an unprecedented six Austin Music Awards in 2011 including "Band of The Year." Bright Light are working toward releasing their second full length album later this year. We are happy to present this set recorded at KUTX breakfast showcase at the Four Seasons just yesterday at SXSW as part of our Sense of Place visit to Austin.
Our guests today are PHOX in the SXSW portion of our Sense of Place visit to Austin. The band members have done an amazing job of describing themselves on Facebook: "PHOX is a bunch of friends from the Midwestern circus hamlet Baraboo, Wisc., a place where kids often drink poisoned groundwater and become endowed mutants. They make music that straddles Feist and Monty Python." Their debut is coming on Partisan Records in June.
For our Sense of Place: Austin we are excited to bring you the Baltimore duo Wye Oak from the Four Seasons in Austin. Next month, the band's Andrew Stack and Jess Wesner are releasing Shriek, the follow-up to their very well received 2011 album Civilian. The two albums are startlingly different. Wesner plays no guitar on the new one and instead, as we will hear today, concentrates on the bass. The songs written on bass are very different as well — it's the reinvention of Wye Oak.
Our guests on the SXSW portion of our Sense of Place visit to Austin are the members of Kins. They're a band that seems to like the southern coast of whatever landmass they're on — originally from Melbourne, Australia, their home base is now Brighton, England.
Originally published on Fri March 14, 2014 2:20 pm
UBS, which was fined $1.5 billion in 2012 for what regulators said was "routine and widespread" rigging of the London interbank offered rate, or Libor, has been censured for trying to do the same thing with Hong Kong's benchmark rate between 2006 and 2009.
When I slipped in the preview DVD to watch the opening episodes of NBC's new drama series Crisis, which premieres Sunday, I have to admit I wasn't expecting much. Oh, there was some anticipation in seeing Gillian Anderson of The X-Files in a series lead again; but I wasn't sure whether we'd be getting the demand-your-attention actress from such marvelous British imports as Great Expectations and Bleak House, or the underused supporting actress from NBC's Hannibal.