Singer-songwriter Kim Richey makes her fourth appearance on Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.Va. Richey first emerged in the early 1990s as part of the growing alt-country movement — and, as such, remained difficult to classify. Nevertheless, Richey's music didn't go unnoticed in Nashville: Many of her songs ended up recorded by mainstream heavyweights such as Trisha Yearwood and Brooks & Dunn.
This is TELL ME MORE from NPR News. I'm Michel Martin. Coming up, leading Republicans have been making news lately talking about outreach to African-Americans, Latinos, and LGBT voters, but what about women? They've also been trending Democrat for decades. We're going to speak with a diverse group of women writers and commentators about this. That's later in the program.
Originally published on Fri April 26, 2013 1:31 pm
Look at the center of this map, at the little red dot that marks Kansas City. Technically, Kansas City is at the edge of Missouri, but here on this map it's in the upper middle section of a bigger space with strong blue borders. We don't have a name for this bigger space yet, but soon we will.
Brad Paisley's Wheelhouse is yet another very good album from a singer, songwriter and guitarist who's made a bunch of them in a row. It features a slew of shrewd songs about finding pleasure and comfort in a frequently unpleasant, uncomfortable world. The music includes a bone-cracking song about domestic violence written from a woman's point of view, one that praises Christian values from the perspective of a jealous skeptic, and one that samples the great Roger Miller as deftly as any hip-hop production.