Peanuts, flax, sprouts and avocados: It's not the menu at a health food deli, but the menu inside some barns. What's more, many farmers experimenting with these gourmet feeds are growing the ingredients themselves.
Take Russ Kremer, the Missouri pig farmer whose operation served as the inspiration for the 2011 Chipotle ad. Kremer hasn't bought commercial animal feed in 30 years. Instead, he grazes his hogs in a pasture, and grows (or buys from neighbors) grains and legumes to supplement their nutrition.
In Seattle, the city that sired Starbucks, you don't have to travel more than a few steps to find a decent — nay, great — cup of joe. Java is the lifeblood of the city: Where other cities might offer walking tours of historic sites, in Seattle, "coffee crawls" take visitors to the city's best-loved coffeehouses.
<strong>'Heat' Stroke:</strong> The genius of this buddy-cop comedy is in its pairing of Sandra Bullock (left, as a by-the-book process nerd of an FBI suit) with Melissa McCarthy, who plays a sloppy Boston detective with no patience for procedure.
A big worry among people trying to wipe out polio is that the virus will regain a foothold, somewhere to launch a comeback — someplace, perhaps, like Somalia.
Polio has paralyzed 25 kids in Somalia and another six in a Kenyan refugee camp since early May, the Global Polio Eradication Initiative reported Wednesday. Before this outbreak, Somalia hadn't had a polio case in more than five years.
Bert and Ernie — yes, Sesame Street's Muppets — have been thrust yet again into the gay marriage debate.
This time, for its July 8 and 15 issue, The New Yorker decided to use an illustration of Bert and Ernie for their coverage of the Supreme Court's decisions on two landmark gay marriage cases. The illustration shows Bert and Ernie cuddling on a couch while watching what seems to be TV news coverage of the court's decisions:
Originally published on Wed September 25, 2013 5:39 pm
At the heart of Iron and Wine is a 38-year-old singer-songwriter from South Carolina named Sam Beam, but Beam's new sixth album, Ghost on Ghost, is his most lavish full-band production yet. Back in 2002, the first Iron and Wine album essentially consisted of stripped-down demos, released as-is. In the spareness of those early recordings, Beam used only what he had available to him: a guitar, a banjo and a 4-track tape recorder.