This is TELL ME MORE from NPR News. I'm Michel Martin. Coming up, can I tell you how great you look? No? Well, that's my Can I Just Tell You essay and it's coming up in a few minutes.
But first, we are focusing on the economic progress or lack thereof facing African-Americans. This year marks the 50th anniversary of a number of important dates in civil rights history, including the march on Washington and Martin Luther King, Jr.'s "I Have A Dream" speech.
Tell Me More celebrates National Poetry Month with the 'Muses and Metaphor' series, where listeners submit their own poems via Twitter. Today's tweet comes from Christina Lux. She's an assistant director at the University of Kansas and tweeted about a scary medical diagnosis.
This is TELL ME MORE from NPR News. I'm Michel Martin. Later in the program, we are going to talk about some provocative new research that sheds some light on how personal relationships play a role in getting a job and we'll talk about how that plays out differently or may play out differently for whites and minorities. That's coming up later in the program.
Originally published on Wed April 10, 2013 2:50 pm
The U.S. Postal Service has backed off a plan to halt Saturday mail delivery, saying that Congress has forced it to continue the service despite massive cost overruns.
In a statement released Wednesday, the USPS Board of Governors said restrictive language included in the latest Continuing Resolution, which keeps the government operating until September in lieu of a budget, prevents it from going ahead with the plan.
Camper Van Beethoven makes its second appearance on Mountain Stage, recorded before a sold-out audience in Charleston, W.Va. Alt-rock pioneers in the truest sense, the band members first got together in 1983, led by singer-songwriter David Lowery in Redlands, Calif. The group's infectious and constantly evolving amalgam of pop, punk, ska, folk and country found an audience in the area's hardcore punk scene.
Originally published on Wed April 10, 2013 1:41 pm
A young man is parading the streets of the city of Glasgow with a slogan daubed onto the back of his black leather jacket in big, freshly painted white letters. "We're havin' a party," it declares. "Thatcher's dead."
In what was the coal belt of northern England, a burly former miner lights up an enormous cigar and takes a satisfied puff. He says he's looking forward to a few celebratory drinks.
Hundreds of miles to the south, in Brixton, south London, a boisterous crowd prances around, joyously boozing and setting off fireworks under the wary gaze of police in riot gear.
In 1955, John R. Cash was a sometime auto mechanic, sometime appliance salesman who liked to play the guitar and sing, mostly gospel songs. The "R" in his name didn't stand for anything — and, in fact, he'd been named J.R. at birth and had to come up with "John" when he joined the Air Force. He'd spend the rest of his life reinventing himself.
This is FRESH AIR. I'm Terry Gross. The CIA and the military have been transformed in ways that have blurred the boundaries between them. The shape of the new military intelligence complex is the subject of my guest Mark Mazzetti's new book, "The Way of the Knife." He writes: The CIA is no longer a traditional espionage service, devoted to stealing the secrets of foreign governments. The CIA has become a killing machine, an organization consumed with man-hunting.