Describing Horse Feathers almost inevitably diminishes the band's music: "Let's see, the lead singer has a beard and a soft voice, and he plays the acoustic guitar, and there's a string section. Oh, and they're from Portland, of course." All those identifying details hold true, and yet Horse Feathers' music never feels slight or ineffectual.
Basic biology has it that girls are girls because they have two X chromosomes — the things inside cells that carry our genes. Boys are boys because they have one X and one Y. Recently, though, there's been a lot of debate in scientific circles about the fate of that Y chromosome — the genetic basis of maleness.
Nickel Creek's Sara Watkins, Sean Watkins and Chris Thile started out as child prodigies, then built their band into a Grammy-winning commercial force. At the height of their success, though, the three decided to break up and pursue other projects — albeit temporarily, as the title of 2007's "Farewell (For Now) Tour" suggested.
Equal parts rowdy and loving, the husband-and-wife South Carolina duo Shovels & Rope radiates knockabout charm. Cary Ann Hearst and Michael Trent are equally adept at crooning moonily while locking eyes and tearing through blistering folk-rock anthems without seeming to take a breath. Hearst and Trent often swap instruments, giving their sets a freewheeling, unpredictable quality.
You can bundle it up in MP3s and send it zinging through the ether, but Pokey LaFarge's music still seems as though it has emerged from the dustiest 78 at the thrift shop. LaFarge is a man out of time and a true wanderer, with the vintage clothing to match, but he never seems like a mere novelty act: His songs are too sturdy, with too much infectiously zippy energy, to feel anything but authentic.