On Galactic Travels, the Special Focus for February is Zero Ohms. Also known as Richard Roberts, he plays wind-controlled synthesizers and over fifty flutes, saxes, and various other woodwinds. A writer, painter, musician, teacher, and producer, Richard follows what he has termed Tao of Zero Ohms; literally meaning way of no resistance.
Originally published on Mon February 23, 2015 11:25 pm
The late 1960s and early '70s defined a vibrant, electrifying and psychedelic era for rock music everywhere — including Cambodia. The Khmer Rouge communist movement put an end to that when it took power in 1975, but the music from that era has been discovered and rediscovered over the years.
Singing in harmony is an intimate exercise, not least because it often requires singers to change their voices in order to better blend with their counterparts. Kanene Pipkin grew up harmony singing, but says the first time she sang with her bandmates in The Lone Bellow, she noticed something unusual: She didn't need to alter her voice at all.
Originally published on Fri January 30, 2015 5:09 pm
In 1984, when a young Steven Bernstein first encountered the blind virtuoso New Orleans pianist and singer Henry Butler, he was astonished. "This is it," he recalls thinking. "This is like the music that I always imagined. Everything you ever loved about music, all being in one place. But now it's all coming from one person." Nearly two decades later, Butler and Bernstein finally had the chance to collaborate when they were booked for a run together at New York's Jazz Standard.
Originally published on Thu February 12, 2015 6:52 pm
For decades, David Murray was known as one of New York's most monstrously talented and astoundingly prolific artists — a tenor saxophonist who played and wrote for just about every imaginable context. He's still these things, but he lives in Europe now. So this year's Winter Jazzfest — already jam-packed with over 100 acts in two nights — saw fit to give New York audiences a proper saturation of what they'd been missing, presenting David Murray in three completely different sets.
Originally published on Wed February 4, 2015 6:27 pm
Blue Note Records celebrated its 75th anniversary last year, marking three-quarters of a century issuing music by the biggest names in jazz history. The company continues to aspire to that standard, with a contemporary roster ever on the lookout for today's movers and shakers. The supergroup Our Point Of View — the name references a 1963 Herbie Hancock album — combines six of those Blue Note artists for a program of originals and classics heard on Blue Note Records alike.