Irish singer and folk-music great Paul Brady grew up listening to R&B and soul, playing in rock bands throughout his early 20s. Later, when Brady began making a name for himself as a folk and traditional singer, that background in soul and rock added a unique dimension to his sound.
Dan Auerbach, one of two founders of The Black Keys, also maintains an active side business as a producer for other bands that share his love for blues- and country-influenced rock. Auerbach's production work can be heard on two new records: Hacienda's third album, Shakedown, and the major-label debut of JEFF The Brotherhood, titled Hypnotic Nights.
Chavela Vargas was a hard-living, feisty singer from Costa Rica who won fame for defying gender stereotypes in the male-dominated world of Ranchero music. She died on Sunday at age 93. Host Michel Martin looks back on Vargas' life and legacy.
English singer-songwriter Beth Orton is one of the best-known practitioners of a subgenre in which folk songs are set to electronic beats — it's a sound she employed to popular and powerful effect throughout the late '90s and early '00s, on hit albums such as Trailer Park, Central Reservation and Daybreaker.
A legend of Latin American song has died. Chavela Vargas was a cultural icon across the Spanish-speaking world, with a voice that redefined notions of beauty and an attitude that brashly bent gender roles. Vargas died Sunday; she was 93.
She was born Isabel Vargas Lizano in Costa Rica, but audiences knew her as Chavela, a hard-partying, rabble-rousing, fiery singer who adopted Mexico as her homeland and began singing on the streets in her early teens.
Boston's esteemed Berklee College of Music, just up the road from Newport, has produced top jazz musicians for decades. Driven by the leadership of Panamanian pianist Danilo Pérez, the school has expanded its jazz vision internationally, developing an initiative to recruit from and bring on tour around the world. Berklee's current Global Jazz Ambassadors are joined here by professional musician Adam Cruz, whose shimmering 2011 debut album Milestone showed off his talent both in front of the band and behind the drum kit.
It may be billed as a gig for the alto saxophonist Miguel Zenón, who is making his third Newport appearance in four years, but he would refuse complete credit. He teamed up with the French pianist Laurent Coq to co-write an album's worth of music inspired on the high-modernist Julio Cortázar novel Hopscotch — Rayuela, in the original Spanish. It calls for a cello and a trombone — Dana Leong plays both — and a drummer who can play tablas, so an obvious choice was Dan Weiss. Together, the quartet's literary and musical imagination runs wild.
What if there were lost big-band masterpieces by the great composer/arranger Gil Evans which never made it to record? In fact, there are plenty of them, according to composer/arranger Ryan Truesdell. He's culled, researched, transcribed and completed a handful of the best for Evans' 100th birthday anniversary. It helps that he's the lead copyist for composer Maria Schneider; he's borrowed much of her orchestra to record and now perform this rich, intensely-hued material.