The Chandler Travis Three-O makes its first appearance on Mountain Stage. Pigeonholed as "avant-jazz omnipop," Travis' music might be described more accurately as the missing link between The Kinks and Captain Beefheart. The group provides elements of acoustic folk, jazz, psychedelia and pure absurdity — it's worth mentioning that half of the "Three-O" (which, naturally, is a quartet) changed into brightly colored pajamas during its second song.
When the Americana Music Association convenes in Nashville on Sept. 12-15 for its annual conference, it'll be met by another incredible year of festival performances and showcases. While the daytime panels and discussions reflect the organization's dedication to its mission, the nighttime showcases, parties and concerts are what will make the passion of the genre so difficult to ignore.
Originally published on Mon June 23, 2014 10:36 am
From January 1992 to September 2001, Branford Marsalis set the JazzSet pace, hosting 39 new shows a year (now we do 26) from the Carnegie Hall Jazz Band; festivals in Iowa City, Telluride, Pasadena, Mount Hood, Montreal and Brevard, N.C.; the new music festival in Groningen, the Netherlands, and the Havana Jazz Festival in Cuba; clubs from Yoshi's in California to Sculler's and the Regattabar in Boston. WGBH producer Steve Schwartz sent us lots of Boston sets during that first decade, all of them much appreciated.
Originally published on Thu September 6, 2012 5:29 pm
In this installment of World Cafe's Latin Roots series, Raul Pacheco of the Grammy-winning band Ozomatli talks with host David Dye about how politics influence music. They've certainly affected Pacheco's music, as Ozomatli has been politically driven since its inception. The band's members started playing together 16 years ago, when they were working for the Peace and Justice Center of Los Angeles, and were asked to play for picketers during a strike.
Ozomatli is a genre-spanning, Grammy-winning band whose sound draws from Latin influences like salsa and cumbia, as well as hip-hop, rock, reggae and funk. Its many members are political activists who met while working with the Peace and Justice Center of Los Angeles; their first performance was for picketers during a strike.
I recently listened to the first single from the new Cat Power album with some fellow fans, and the room was deeply divided. Some thought the song was fabulous, but others were startled and upset — which I could understand, sort of. Chan Marshall's songs generally speak to pain and trauma with a hushed and intimate musical vocabulary. But this song, "Ruin," was different — not just a rock 'n' roll song, but one you might even want to dance to.
Over the past 20 years, vocalist Karrin Allyson has recorded 13 albums that cover vast musical territory. She's explored The Great American Songbook, the musical styles of Brazil and France, the blues and the work of contemporary songwriters. She's recorded a tribute to John Coltrane and an album of late-night ballads, and she's earned four Grammy nominations.