Originally published on Mon August 20, 2012 4:05 pm
Three-time Grammy award-winning singer-songwriter Shawn Colvin is a contemporary folk legend. Colvin started playing guitar at the age 10 and went on to cut her teeth on the folk circuits of Illinois and San Francisco before moving on to the Fast Folk cooperative of Greenwich Village in New York City. During her solo music career, Colvin has appeared in off-Broadway shows and episodes of television shows such as The Simpsons and Treme.
Originally published on Tue September 18, 2012 7:31 pm
Birthdays come but once a year, but for music lovers, what I like to call "that birthday feeling" is a semi-regular thing. I'm talking about the rush, tinged by anxiety, greeting the first download click on an album you've been longing to hear for months. It's a complicated wash of emotions, boosted by conflicting hopes and assumptions. You're about to get exactly what you've wanted; but what if it's not exactly what you want? And boy, that bike Mom promised to buy had better be cherry red.
For Dave Samuels, the love of his first two instruments — the drums and then the piano — naturally led him to the vibraphone. Samuels' gift for evocative melody and his rhythmic versatility make him one of the leading mallet players of his generation, empowering him to swing from the classic-cool sounds of Stan Getz and Gerry Mulligan to the contemporary rhythms of The Yellowjackets, Spyro Gyra and his Caribbean Jazz Project.
On July 20, 1958, at Tanglewood — the summer home of the Boston Symphony Orchestra — pianist Leon Fleisher played an electrifying Brahms First Piano Concerto with the orchestra under its former music director, Pierre Monteux. This remarkable teaming has not been heard since then.
The guitar-slinging duo of Pat Donohue and Mary Flower kicked off this Mountain Stage road show, recorded on the shore of Lake Superior in Grand Marais, Minn. As the house guitarist for A Prairie Home Companion, Pat Donohue is one of America's most gifted players, and one of a select few to have a Martin signature model that bears his name. His song "Would You Like to Play the Guitar" is one of the most insightful and funny songs ever written about the life of a working musician.
I rarely feel nervous before in-studio performances, but the June visit to KEXP by Will Oldham, a.k.a. Bonnie 'Prince' Billy, was an exception. Since emerging in his various "Palace" incarnations in the early 1990s, Oldham has been responsible for a dauntingly huge, rich, influential catalog of music. Yet Oldham acted so utterly at-home in our studio that I immediately relaxed and got lost in his playing.