Originally published on Thu August 9, 2012 4:10 pm
The Litchfield Jazz Festival leads off with a weeks-long camp for high-school students and New York's finest musicians on the faculty, then climaxes with a two-day festival. This year it's August 11-12 in Goshen, Conn., but here we have two sets from the 2010 festival, featuring two groups with young leaders.
San Antonio native Alejandro Escovedo co-hosts the latest installment of Latin Roots, in which he discusses the Latin character of his hometown's music since the 1950s. Escovedo's prolific rock music has always had strong Latin influences as a result of the time he spent listening to his parents' records.
The indie-folk duo Vandaveer's first appearance on Mountain Stage, recorded on the campus of West Virginia University in Morgantown, features vocalist Rose Guerin joining singer-songwriter and guitarist Mark Charles Heidinger, who also occasionally plays bass for These United States.
For the L.A. band Lord Huron, there's far more to music than merely playing sweetly summery, rhythmically inventive pop. There's also an air of mystery: a desire to tell stories, play with identities and craft visuals to complement its sounds. The bouncy "Time to Run" is a tremendously ingratiating song, but the band's video piles on new dimensions to make it that much richer.
Gene Kelly stars as Don Lockwood in <em>Singin' in the Rain. </em>In celebration of the 1952 musical's 60th birthday, a newly restored print was released in theaters for a one-night public screening, and a new edition has been released on DVD and Blu-Ray.
Hollywood is often at its best when it's making fun of itself, and few movies are funnier or more fun than Singin' in the Rain, the broadly satirical musical comedy about the transition from silent movies to sound.
Gene Kelly, who co-directed the film with Stanley Donen, stars as the stuntman turned matinee idol who falls in love with adorable Debbie Reynolds. He even gets to parody his own swashbuckling in MGM's Technicolor Three Musketeers.
Originally published on Thu August 9, 2012 5:36 pm
Azure Ray documents the collision between two distinct musical sensibilities: the sweetly airy, bittersweet pop of Maria Taylor and the buzzier, busier, frequently electronic sounds of Orenda Fink. The two have worked separately quite a bit in recent years — Taylor as a solo artist and Fink both solo and as half of O+S — but in Azure Ray, they still meet in the creamy, dreamy midpoint between their individual sounds.