David Lynch must know something we don't. There's a name for people like him — not director, not writer, not producer, not even photographer, but auteur. Lynch thoughtfully combines images and music, working with composer Angelo Badalamenti to breed a unique atmosphere in creations such as the TV series Twin Peaks and the film Blue Velvet.
"These ideas of mine / percolate the mind," Fiona Apple sings in "Every Single Night," the song that opens her new album, The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do. Some people are going to listen to the entire record and come away with the feeling that the percolation in Apple's mind has bubbled over like a coffee pot left on a stove too long. But for me and perhaps for you, Apple's bubbling thoughts, words and music are thrilling — eager and direct, heedless about being judged or misunderstood.
Originally published on Tue June 26, 2012 10:38 pm
Like the music of his good friend Béla Bartók, Scottish composer Erik Chisholm's two piano concertos rely heavily on folk sources. But in Chisholm's case, the influences come from Scotland and India rather than Bartók's beloved Eastern Europe.
Originally published on Wed June 27, 2012 10:49 am
There are as many ways to interpret someone else's song as there are to write one yourself, but covers needn't play out as complex deconstructions or intellectual exercises. Covers can be simple celebrations — a way of saying, "Damn, I wish this were my song."
It's hard to pick a favorite Tiny Desk Concert from the hundreds we've done, but this could be the one. For me, music is best when it surprises, takes chances and makes me smile. Comedian and musician Reggie Watts performed three "songs" at the NPR Music offices, all of them spontaneous improvisations and all of them playful, even magical.
Watts came with a simple setup of loop pedals, delay pedals and a microphone. He laid down the beats and bass, entirely with his voice, and built up layers of sound, melody and rhythm — more like a magician than a musician.