Originally published on Fri February 1, 2013 2:14 pm
When Jozef Van Wissem plays the lute, he doesn't sit. Instead, the New York-based Dutchman stands, looming over his low-hanging instrument like the "figure in black" character in "Black Sabbath" — that'd be the song "Black Sabbath," from the album Black Sabbath, by Black Sabbath — that scares the living bejeezus out of everyone.
Hugely good news for all you wandering minstrels: After years of pressure from groups like the American Federation of Musicians, the FAA has just passed a bill that (finally!) allows musicians to carry their instruments as carry-on luggage or, for larger instruments, to buy an extra seat. However, the federal agency has a year to implement the new standards.
Somehow, Canadian singer-songwriter Ron Sexsmith makes a case of the deep blues sound sweet. The new album Forever Endeavour is his 13th, and the songs show him, at midlife, reflecting a lot on the passage of time.
"I think there's always something comforting about sad songs," Sexsmith says. "It's a shared thing that everyone can relate to."
The dB's secured a place in rock history as one of the pioneering jangle-pop bands of the early '80s. Deftly combining new wave and power-pop, it created a melodic niche for itself among its Southern peers — bands like The Feelies and R.E.M.
Originally published on Mon June 23, 2014 10:03 am
Lionel Loueke was born in Benin, West Africa, in 1973. As a youngster, he sang and played percussion, but didn't really take up the guitar until the age of 17. Loueke was so gifted on the instrument that he was sent to study music at the Ivory Coast's Institute of Art. He continued on to the American School of Modern Music in Paris, where he turned heads, and in 1999 came to America on scholarship to the Berklee College of Music in Boston.