The transporting music of Exitmusic is so grandiose, so romantically rich, it could easily envelop a concert hall or cavernous church. It's a beautifully buzzing mix of distorted guitars, synth pads and sparse electronic beats, all of which intermingle around Aleksa Palladino's alluring, heartsick voice like a swarm of bees in your chest.
"We had two shows that night," says Bobby Womack, recounting a recent concert in Houston. "It was a small theater, about 5- or 6,000 people. The second show, I was just out of it; they had to take me to the hospital."
It was a serious scare for the 68-year-old singer-songwriter — who has also lived through drug addiction and the deaths of two sons — and it didn't end that night.
Barring a massive shake-up of the Billboard charts — and American tastes — "Little Mistakes" will not be the song of the summer. But that's not for lack of trying.
The song is the lead single off Brick and Mortar, the latest album by Watershed — a band from Columbus, Ohio, that most people have never heard of. But they have been playing dingy bars, tiny clubs and even the occasional arena for 27 years.
That career has inspired a new memoir called Hitless Wonder: A Life in Minor League Rock and Roll, written by one of the band's founders, Joe Oestreich.
Metric has long been identified as an indie-rock band, but it recently embraced the "indie" part of that descriptor in a big way.
For their last album together, the band's members formed their own company — Metric Music International — to distribute the record, organize a tour and handle promotion without a label's support. The result was the biggest album of Metric's career: Fantasies sold half a million copies worldwide.
This summer, Weekend Edition Saturday is listening to the sounds of music al fresco. Today, we present an audio postcard of a trumpeter we recently heard blowing "The Star-Spangled Banner" just down the street from NPR.
The odds of making it in the classical music business are long, but for the past two years, 25-year-old viola player Nathan Schram has received a stipend, health insurance, lots of amazing performance opportunities and a real-world education teaching violin students at an inner-city elementary school in Brooklyn. Now, Schram and his colleagues have to say goodbye to The Academy.