Born out of New Orleans club culture, bounce music isn't just best experienced in person — it's almost impossible to understand in the abstract. But Big Freedia (pronounced "free-duh"), one of the style's biggest stars, says the music does have a few defining features.
The longest-running Broadway musical ever, Andrew Lloyd Webber's The Phantom of the Opera, celebrated Saturday another milestone: its 25th anniversary.
When it all started Jan. 26, 1988, Ronald Reagan was president of the United States, a gallon of gas cost about 90 cents and a ticket to The Phantom of the Opera was a whopping $50. It was the hottest ticket in town.
Times have changed, prices have changed, but that disfigured, tortured genius who haunts the Paris Opera House, creating havoc and causing the chandelier to fall, has endured.
What better way to fight off the winter blues than with some good music? Felix Contreras and Jasmine Garsd, hosts of NPR's Alt.Latino podcast, return toWeekend Edition Sunday to share some exciting releases from the coming year.
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You've never heard of Jimmy Van Heusen? Well, the American Society of Composers, Authors and Publishers has. You certainly know many of his songs, says Brook Babcock, Van Heusen's grandnephew and president of his publishing company.
The Paris-based Quatuor Ebene — the "Ebony Quartet" — has risen fast in the musical world with two separate artistic identities. In recent years, audiences have gotten to know the "other" Ebenes — the sophisticated cover band that plays everything from "Miserlou" (the Pulp Fiction theme) to jazz to "Someday My Prince Will Come" (yes, the one from Disney's Snow White).