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Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book isHelguera's Artunes. You can see more of his work at Artworld Salon and on his own site.
Originally published on Fri February 15, 2013 4:43 pm
In its quest to become the world's most brutal, ugly and offensive death-metal act, a young band should ask itself three questions: "How fast can the drummer blast-beat?" "How many unspeakable acts can we cram into three minutes, lyrically speaking?" "Are the riffs-per-second an accurate measure of how brutal we truly are?" I'm only sort of kidding. These exercises in ridiculousness are par for the course, though their excess is not unrewarded. Enter Wormed.
Originally published on Fri February 15, 2013 12:19 pm
No matter what a certain television series tells you, Portland, Ore., isn't all that weird. Sure, we make great coffee, ride bicycles, eat organic food — and, yes, there are a lot of hippies and hipsters here. But Portland is much more than that.
Originally published on Fri February 15, 2013 11:22 am
Aaron Neville revitalized his favorite doo-wop tracks from the 1950s and '60s for his new album, My True Story. Working with producers Don Was and Keith Richards, Neville and his band give the singer's childhood favorites a soulful life of their own.
At 72, Neville has embarked on a national tour to promote My True Story. Here, he plays a few tracks from the record and talks with host David Dye about his education in doo-wop.
Originally published on Fri February 15, 2013 10:58 am
The English rock group Depeche Mode owned a chunk of the '80s and '90s with glossy electro-rock hits like "People Are People" and "Personal Jesus." These days the band doesn't have much to prove, and its members, who appear in this new video for the song "Heaven," seem to find themselves at peace, bathed in the radiant glow of light and love.
On a video promoting Bill Frisell's album All We Are Saying, the guitarist shares the depth of his connection to John Lennon's music: "I don't know if I'd be playing guitar if it weren't for The Beatles." Frisell tells the story of how, several tours ago, a European presenter asked Frisell's band to play a Lennon set.
Delicate phrasing, with both voice and guitar, has always made Richard Thompson a musician worth hearing — and sometimes even liking on a personal level. For a man who can make such pretty music, it's to his credit that he prefers to show his thorny, stubborn, cranky, even mean side in many of the songs in his solo career.