Dhani Harrison formed thenewno2 as an arts collective during a very dark period. With the passing of his father, George Harrison, and the September 11 attacks fresh in our collective consciousness, he needed a fresh direction to help bring some clarity to the swirling chaos of emotions. Channeling these complicated feelings, and with the support of some enduring friendships, Dhani has delivered thefearofmissingout, a layered and confident album that brings his individual voice to the fore.
Full Audio: Dirty Projectors Live From The 9:30 Club
Few bands make music as strangely captivating - or make it as as fearlessly - as Dirty Projectors. The group's always unpredictable songs crisscross a mind-bending mix of genres and styles, with disjointed rhythms and structures, unusual melodies and harmonies that make it one of the most creative but polarizing groups of the past decade. For some it's an inspired form of high art, while others think it's just plain weird.
Originally published on Wed October 17, 2012 11:01 am
I guess it's not that big of a surprise, but according to last week's poll, 67 percent of you haven't heard Big Star's #1 Record. One of the nice side benefits of doing this series is that it gives people a chance to discover great albums they've never heard before, so if you're part of the 67 percent that hasn't heard Big Star, take some time to listen. You'll love it.
For Tell Me More's occasional series, "In Your Ear," guests talk about the songs that they turn to for inspiration. NPR's Africa correspondent Ofeibea Quist-Arcton shares the tracks she plays on repeat when she's on assignment or when she's at home in Dakar.
Celtic musicians Karan Casey and John Doyle appear on Mountain Stage, recorded on the campus of Ohio University in Athens. Natives of Ireland, both Casey and Doyle were living in America when they helped found the traditional supergroup Solas, which was lauded by The Boston Herald as "the first truly great Irish band to arise from America."
Originally published on Thu August 16, 2012 12:09 pm
Since beginning his "open-source" musical project in the 1990s, Lorin Ashton and his Bassnectar alias have become nearly superhuman. Bassnectar is associated with a community of devoted Bass Heads, several non-profit and charity organizations and shows of such epic proportions, they're called Bass Centers. Ashton describes his music as "the motion of [his] cells bouncing back at the world," and tens of thousands of people connect with it as a deeply human pursuit, as well. Last year, he sold out a New Year's Eve show attended by 10,000 fans.