BLOCK: That's Pachelbel's "Canon in D," and it appears on one of the hottest releases of the year, "Fifty Shades of Grey: The Classical Album."
ROBERT SIEGEL, HOST:
Yes, the classical album. It's composed of works that inspired author E.L. James while she was writing her steamy best-selling trilogy. And it has spent 11 weeks on Billboard's Classical Traditional Albums chart, 10 of those in the top slot.
Originally published on Fri November 30, 2012 5:43 pm
Freelance Whales' members make huge tiny music. Their instruments tend to produce delicate sounds: banjos, violins, xylophones, drums played delicately with brushes. But their songs are arranged in such a way that these small sounds form grand, swelling passages that start out softly, then build to something majestic.
When the pianist Mulgrew Miller died on May 29, 2013, following a cerebral hemorrhage, the jazz world grieved the loss of this "wonderful musician and great spirit," in the words of his fellow pianist Kenny Barron.
Tracey Thorn's interpretation of "Maybe This Christmas," by the Canadian singer-songwriter Ron Sexsmith, is typical of her new holiday album, Tinsel and Lights: It's simply arranged, emphasizing Thorn's lovely, delicate voice and bolstered by a firm intelligence; it avoids the fatty treacle that weighs down lots of Christmas albums. Tinsel and Lights mixes familiar songs with new ones, such as the title song written by Thorn.
The Bach Choir of Bethlehem presents music for the Christmas season with Benjamin Britten's "St. Nicolas" and J.S. Bach's "Magnificat" on Saturday, December 8 at 8pm and Sunday, December 9, 2012 at 4pm. David Ruhf of the Bach Choir previews the concerts with WDIY's Classical Coordinator, Waldemar Vinovskis.
Originally published on Mon December 3, 2012 12:08 pm
Lincoln Center and the New York Phil have confirmed plans for a (long, long overdue) major overhaul of 50-year-old Avery Fisher Hall that "aims to redefine what it means to be a concert hall at a time of challenging orchestra economics and changing audience habits." This will be the third attempt at addressing the venue's acoustical challenges.