Brad Paisley's Wheelhouse is yet another very good album from a singer, songwriter and guitarist who's made a bunch of them in a row. It features a slew of shrewd songs about finding pleasure and comfort in a frequently unpleasant, uncomfortable world. The music includes a bone-cracking song about domestic violence written from a woman's point of view, one that praises Christian values from the perspective of a jealous skeptic, and one that samples the great Roger Miller as deftly as any hip-hop production.
Jesse Dee grew up in Boston — far from the South, where the music he loves has its roots — and could never quite shake the '50s and '60s R&B he'd heard on the radio as a kid. He started writing his own material in high school because he wanted his music to be contemporary.
Dee's first album, Bittersweet Batch, came out in 2008; his latest is On My Mind/In My Heart. His love of singing shines through, in both our conversation and this live session.
For Rhye's first-ever radio performance, we turned the lights down and lit some candles to get in the mood. We were curious to hear how the band — the project of producer Robin Hannibal and singer Mike Milosh — would translate the intimacy of its sensual, soulful music into a live setting. With the help of incredible backing players, including a string section, Hannibal and Milosh pulled off a romantic, moving set.
It's incredibly calming to watch Glenn Jones play acoustic guitar. Whether he's appearing by the train tracks or in one of our Tiny Desk Concerts, there's nothing flashy about his style, only careful consideration as he gently hops over the frets like a lily-padding frog.
This week — when many of us at NPR rushed to file our U.S. federal income-tax returns, then moved to a new headquarters — I'm reminded of a moment in jazz history. Namely, the mid-1940s, when a new style called bebop came into popularity.
Listening to her ethereal sound, you might not guess that Rachel Zeffira was classically trained as an opera singer. But on her solo debut, The Deserters, she's not just singing: She also plays piano, synthesizers, vibraphone, cathedral organ, violin, viola, oboe and English horn.
Zeffira makes her home in London now, but she grew up in a small town in rural British Columbia and began playing music at a young age.
Anton Bruckner divides audiences. For admirers, his sprawling, stately symphonies — with their great pauses and timeless repetitions — represent the summit of the 19th-century Viennese symphonic tradition. For skeptics, the symphonies are exercises in lumpy piety, plagued with bombastic sonorities and numbingly long-winded development sections.
Originally published on Wed April 17, 2013 3:27 pm
The name Lady Lamb the Beekeeper came to singer-songwriter Aly Spaltro in a dream. When the Maine native emerged from the DVD-store basement where she'd been experimenting with music for several years, her friends responded positively. She soon moved to Brooklyn, where those original songs were re-worked for her debut album, Ripley Pine, released this past February.