Originally published on Mon November 5, 2012 3:13 pm
Until this week, it had been six years since Beth Orton released an album. In 1993, a chance meeting with Grammy-winning producer William Orbit led to the creation of her debut album, Trailer Park, as well as collaborations throughout the '90s with the likes of The Chemical Brothers. Her music was widely praised and dubbed "folktronica" — a blend of folk and electronic music.
On the next Galactic Travels, the month-long focus on Modulator ESP continues. The Featured CD at Midnight will be the self-released title "Into the Matrix." You'll also hear music by Ian Boddy who will be playing at the Gatherings Concert Series.
Pakistani pop singer Shehzad Roy (right) sings for teenage prisoners at a prison in Karachi, Pakistan, in 2008. Known originally for fluffy pop songs, Roy's music has taken a harder, more political edge, protesting injustice in Pakistan.
Credit Lauren Frayer / NPR
Roy is shown here at the Fatima Jinnah Government Girls School in Karachi, a poor public school being refurbished by his education nonprofit, Zindagi Trust.
Credit Lauren Frayer for NPR
Handmade decorations adorn the refurbished Fatima Jinnah girls school, where stray dogs once roamed the classrooms.
Originally published on Thu August 1, 2013 3:01 pm
From their spirited night of Chick Corea music alone, it's clear how Renee Rosnes and Bill Charlap love to play amongst horns and a rhythm section. Yet when they face each other at two pianos, with a wink and a nod, they do it all themselves.
Now on JazzSet, it's Rosnes on the left, Charlap on the right and — in Charlap's words — "a unique sound that is the sum of both of us."
Originally published on Wed November 14, 2012 3:01 pm
Hailed as a "legend in the making" by guest DJ Ali Shaheed Muhammad, experimental producer Flying Lotus — born Steven Ellison — came to New York City's (Le) Poisson Rouge Wednesday night to drive the point home. Even if you're a fan of his albums, it's hard to know what to expect from Flying Lotus' live show, as he tends toward mellow sounds on record but is often lively and unpredictable in concert.