We brought Lucius to the Tiny Desk because I fell in love with one joyous, catchy song: "Don't Just Sit There." That's all I had to go on — I'd never seen the group live — and though I expected fun, we also got fabulous. Not only are Jess Wolfe and Holly Laessig a winning singing duo, but their charisma and charm helps turn good pop songwriting into an endearing performance.
Sunday Bloody Sunday is one of those films that lets you into the lives of believable, complicated characters. A handsome, self-centered young artist played by the actor/rock singer Murray Head is having simultaneous affairs with both an older woman (played with infinitely nuanced self-irony by Glenda Jackson) and an older man, a Jewish doctor (the touching Peter Finch), two intelligent adults who have mutual friends and even know each other slightly.
We turn now to a regular segment we call In Your Ear. That's when we invite previous guests to tell us some of the songs that inspire them. This time, we hear from R&B sensation, Miguel. He stopped by to tell us about his new album, "Kaleidoscope Dream," and we also found out what tracks he's been listening to.
Originally published on Wed January 9, 2013 1:47 pm
I'm not very good at keeping New Year's resolutions. One year I resolved to "get into yoga." I even wrote that down on a note card and kept it on the refrigerator. Two months later, after doing nothing, I crossed it out and wrote, "be AWARE of yoga."
This year I didn't bother making a list about health and fitness resolutions. But I do have a mental list of some personal improvements I'd like to make when it comes to music.
This week writers came back from the holiday break ready to play. From David Denby unloading in the New Yorker, to John Jeremiah Sullivan working a mention of the Fruit Jar Guzzlers into a Paris Review piece, Robert Christgau beating his breast over Das Racist's breakup and an examination of the visuals of extreme music, there wasn't a lot of taking it easy. Lucky you.
Antibalas was founded in 1998 by baritone sax player Martin Perna (far right, in hat) and is fronted by singer-percussionist Amayo (center, in head wrap). The group has seen many lineup changes in its decade and a half together.
Years ago, without setting out to do so, the Afrobeat ensemble Antibalas jumped out ahead of the pop-culture curve in two ways. First, geography: The band was formed in Brooklyn in the 1990s, before the New York borough became the mecca of independent music that it is today. Second, the music itself: Afrobeat makes its way into lots of popular music today, but Antibalas was doing it before it had a mainstream foothold.