Music

A Blog Supreme
4:12 pm
Thu February 7, 2013

Why J Dilla May Be Jazz's Latest Great Innovator

J Dilla in the studio of fellow producer Madlib.
Roger Erickson Courtesy of the artist

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JazzSet with Dee Dee Bridgewater
2:52 pm
Thu February 7, 2013

Jason Moran's 'Live: Time On The Quilts Of Gee's Bend' Suite On JazzSet

Jason Moran (left), Alicia Hall Moran (center), The Bandwagon and Bill Frisell (right) perform at the KC Jazz Club.
Scott Suchman Courtesy of the Kennedy Center

Originally published on Thu February 6, 2014 3:33 pm

The Philadelphia Museum of Art recently commissioned Jason Moran to write music in conjunction with its exhibition of quilts made by a remarkable group of African-American women in a small rural community on a bend in the Alabama River.

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All Songs Considered
2:35 pm
Thu February 7, 2013

Get Dumb: The Knuckle-Draggin' Riffs Of Endless Boogie

Endless Boogie.
Courtesy of the artist

What is endless? The Universe (theoretically). Summer. Swimming pools. Shrimp. These are all well and good, but what of riffs? Is there is a band for which the riff cannot be confined to a single hook? A band for which three-minute songs are an insult to said riff? A band with riffs so repetitively, knuckle-draggingly dumb that it has to be some kind of genius? Yes, that band is Endless Boogie.

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Music
11:56 am
Thu February 7, 2013

Mixing Blues and the Nakota Nation In Music

Originally published on Thu February 7, 2013 3:28 pm

Transcript

MICHEL MARTIN, HOST:

I'm Michel Martin and this is TELL ME MORE from NPR News. The blues have always been a way to get at some of life's tougher trials and Otis Taylor's music is no different. Taylor, who calls himself a trans-blues musician, has taken on big themes like murder, racism and poverty in previous albums, but his latest album - his 13th and he says his emotional - started with four little words.

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The Mix
11:49 am
Thu February 7, 2013

The Mix: 50 Great Jazz Vocals

Billie Holiday topped Jazz24's list of the greatest jazz vocal songs with "Strange Fruit."
Hulton Archive Getty Images

Originally published on Fri March 1, 2013 1:38 pm

This audio is no longer available.

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Classics in Concert
11:39 am
Thu February 7, 2013

Max Richter In Concert: Reimagining Vivaldi

Composer-performer Max Richter (right) brings his revamped Vivaldi to Manhattan's Le Poisson Rouge.
Denise DeBelius NPR

Originally published on Fri February 8, 2013 3:00 pm

Can't take another moment of Vivaldi's ubiquitous Four Seasons? Neither could Max Richter, a London-based composer who deftly blurs the lines between the classical and electronic worlds.

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Alt.Latino
6:03 am
Thu February 7, 2013

Boricuas In The House: New Music From Puerto Rico

Mima.
Yarimir Cabán Courtesy of the artist

Originally published on Mon June 17, 2013 11:03 am

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The Record
3:29 am
Thu February 7, 2013

Why Al Walser Got A Grammy Nomination And Justin Bieber Didn't

Justin Bieber on stage in December. Bieber's 2012 album Believe, despite selling over 1,000,000 copies, wasn't nominated for a single Grammy Award.
Michael Kovac Getty Images

Originally published on Fri February 8, 2013 4:49 pm

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All Songs Considered
4:50 pm
Wed February 6, 2013

James Hunter's Well-Worn Soul Bursts With Life

Geoff Woods Courtesy of the artist

James Hunter has spent his life learning how to tell soul's stories in fresh and personal ways. Born in 1962 in Essex, England and mentored early on by Van Morrison, he embarked on a career with many ups and downs before breaking through in America in his forties. Now the Grammy-nominated Hunter has made his first album in the States, where the music he loves was born.

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Music News
4:19 pm
Wed February 6, 2013

The 'Ancient Vibration' Of Parlor Music, Revived By Two Generations

Lena Hughes recorded one album of Southern parlor music before her death in 1998.
Courtesy of the artist

Originally published on Thu February 7, 2013 9:29 am

Sometime in the mid-1960s — no one's really sure when — Lena Hughes walked into a recording studio, probably in Arkansas. What we do know is that she recorded 11 tunes on the guitar.

"It's kind of like listening to 1880," folklorist Howard Marshall says. "You kind of get a wonderful, ancient vibration."

Marshall wrote a book about traditional music in Missouri, called Play Me Something Quick and Devilish.

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