Singer-songwriter Shelby Lynne has carved her own path as a respected independent artist. She got her musical start at an early age, learning to accompany herself on guitar at 7, and her first album featured a duet with the legendary George Jones, who said he was impressed with her ability to "own" a song.
Originally published on Wed December 11, 2013 5:49 pm
I once made the mistake of listening to Portal with the lights off before bed. Other than the night following my near-victory at a fried-chicken-eating contest, I'd never had such messed-up dreams in my life.
Originally published on Sat January 19, 2013 10:21 am
In the Northern Hemisphere, January is typically the coldest month of the year. If we can somehow drag ourselves through the month, things will begin to turn around and we'll be on the road to springtime. But January often feels as if it'll never end.
So as we slog through the cold rain and snow, awaiting January's demise, here are five blues songs to help get us through the winter.
After a five-year search that encompassed some 50 contenders, the Houston Symphony has announced its new music director: Andrés Orozco-Estrada. The 35-year-old Colombian trained in Vienna and will take over from the retiring Hans Graf, who is departing at the end of this season.
Caroline Aiken makes her first appearance on Mountain Stage, recorded live on the campus of the University of Georgia in Athens. Born and raised on the Georgia Sea Island of St. Simons, Aiken grew up under the influence of local musicians like the Georgia Sea Island Singers.
We couldn't leave Memphis without a taste of the blues from gospel-blues singer and preacher Rev. John Wilkins. He's the son of Rev. Robert Wilkins, who wrote "Prodigal Son," a song famously covered by The Rolling Stones on Beggars Banquet.
Here, we've got a performance by Rev. John Wilkins with his band — and his daughters on backing vocals. During our interview, Wilkins spoke about his faith and his father, and even sings a version of "Prodigal Son" himself.
Originally published on Thu January 17, 2013 4:27 pm
As part of our "Sense of Place" tour of Memphis, we're on to Royal Studio, where Al Green, Ann Peebles and others made some of the 1970s' most important soul music for Hi Records.
Most of that music was produced by the late Willie Mitchell. Here, we've dug up a 2005 interview with Al Green wherein he tells the story of how Mitchell helped him find his voice. We also talk with Mitchell's son, Boo, who grew up at Royal. His dad told him, "Don't turn Royal into a museum when I die." Don't worry; he hasn't.
Originally published on Mon April 22, 2013 11:26 am
Correction: The audio of this segment mentions a February performance by the Mingus Jazz Orchestra. There will be no Mingus Jazz Orchestra concert this year. The audio and text of this segment also misidentified the dates of the 2013 Mingus High School Competition. The competition is Feb. 15-18.
After huge critical and commercial success last year, breakthrough British sensation Emeli Sande has her sights set on America.
It's a long way from her roots. Born to a Zambian father and English mother, the singer-songwriter was raised in Scotland. She tells NPR's Michel Martin that being the only mixed-race family in a small village had a big impact on her.