Cody ChesnuTT is the best sort of egomaniac. He places himself at the center of his musical universe; he contains that universe within him. On his new album, Landing on a Hundred, he sings one song in the voice of the entire continent of Africa.
WDIY Classics is an enticing exploration of music from the Baroque to the contemporary with interviews, concert listings, themed shows and more. This week, host Waldemar Vinovskis joins Diane Wittry, with Mark O'Connor and Kelly Hall-Tompkins to preview the "Americana" concerts at Allentown Symphony Hall, Nov. 10 & 11.
Originally published on Fri November 9, 2012 9:40 am
There's a special place in my heart for sad bastards who howl through crushingly loud amp stacks. Dinosaur Jr, Hüsker Dü and Warning, for example, all offer opportunities to stare weepily out the window while subtly banging your head. But not enough heavy bands seeking the musical equivalent of failure-through-distortion follow the hung-head example of the Athens, Ga., trio Harvey Milk.
Taylor Swift's new album, Red, sold more 1.2 million copies in its first week — the highest first-week sales total for an album in over a decade. She did it partly by answering a surprisingly complicated question: What's the best way to sell an album?
There are so many ways to release your music these days. You can sell it at Amazon, iTunes, Wal-Mart, and Starbucks. You can release it to streaming sites like Spotify. You can go on tour.
After the pioneering glam-rock band Mott the Hoople dissolved in 1974, Ian Hunter kicked off a solo career that stalled in the '80s. It took the death of Hunter's close friend and Spiders From Mars guitarist Mick Ronson in 1993 to reinvigorate his music career. But one thing has remained constant: Whether with Mott the Hoople or in politically charged albums nearly 40 years into his career, Hunter has never held back.