Cary Ann Hearst and Michael Trent have spent the last decade or so singing sweetly, rowdily anthemic folk-country music together, most recently under the name Shovels & Rope. But the South Carolina husband-and-wife duo has only recently begun to take off on a national scale, thanks to a string of fantastically stirring live performances and a fi
It's been too long since we simply sat up and pointed out a few of the many new releases worth a set of ears. Luckily, the staff on weekends at All Things Considered thought the same. They invited me to sit down with host Jacki Lyden and play a few cuts for them.
Here's music from an elder statesman of piano, a trumpeter who understands creole music personally, a drummer who writes tunes with a payoff, and a singer in her early 20s with maturity and kick.
The New Orleans band Hurray for the Riff Raff exists as a vehicle for the powerhouse songs of singer-songwriter Alynda Lee Segarra, whose gigantic voice conveys the grit of bluesy soul while still fitting within the realms of rootsy folk and country. The group just followed its dynamite 2012 album Look Out Mama with a Kickstarter-funded collection of covers (and two originals) called My Dearest Darkest Neighbor.
Originally published on Sun August 4, 2013 10:04 am
It always rains at least one day at the Newport Folk Festival, and because Newport started a whole day earlier this year, we got the downpour out of the way first. But that didn't stop folks from dancing and singing along to The Mountain Goats, JD McPherson, Blake Mills and many more.
Raised in Alabama and based in Brooklyn, Phosphorescent's Matthew Houck makes moody, searching, raggedly pretty music that reflects the sounds of both his respective homes. But there's also a wise, homesick weariness to Houck's voice that transcends time and place: Listen at just the right time, and a Phosphorescent record feels like a warm conversation with a friend who understands loneliness.
The Seattle septet Hey Marseilles makes some of the most good-natured chamber-pop music around, led by the unmistakably kind voice of Matt Bishop. Naturally, given the band's size, Hey Marseilles gets to make the most of a wide array of warm sounds, from cello and viola to horns and accordions, but those ingredients are all wisely wrapped around songwriting that exudes sweet, hooky sunshine.