In the 1980's, few bands bridged the gap between hardcore punk and what would become alternative rock quite like Minnesota's Hüsker Dü.
The personalities in the trio, however, were not as harmonious, and their partnership dissolved before the decade's end. Guitarist Bob Mould went on to a successful recording career. Bassist Greg Norton dropped out of music and became a chef. And that leaves ... drummer Grant Hart.
Session musician Stephen Bruner has played bass in other people's bands for more than a decade. He can play metal, R&B, hip-hop, jazz. And he's been folding all that into his own music, which he puts out under the name Thundercat.
Now, with his second album, he's stepping to the front of the stage.
Bombadil was founded by a group of friends who met while attending college in Durham, N.C. They graduated in 2006, released a self-titled EP that was well-received, and soon seemed on their way to finding an audience. But by 2009, bassist Daniel Michalak was struggling with an unexplained pain in his hands.
"I started noticing it during shows," he says. "And it got to the point where I couldn't hold a spoon to feed myself, or brush my teeth, or hold the phone to my ear."
Michalak's daily routines became increasingly difficult — and draining.
In the years since she first surfaced as a suitably rustic duet partner for Will Oldham — the two Kentuckians released an EP together back in 2010 — Cheyenne Mize has broadened and deepened her sound, injecting it with slinkiness and sparkle. Her new album Among the Grey continues that evolution, bringing out the lushness in songs that can shimmer prettily or punch with the force of a PJ Harvey.
Bebel Gilberto may be the daughter of Joao Gilberto, one of the first bossa nova composers, but that's hardly her only claim to fame. Her album Tanto Tempo, produced by the electronic artist Suba, was a best-seller in Brazil throughout the 2000s.
Originally published on Wed October 2, 2013 5:59 pm
As part of this week's Sense of Place: Rio series, World Cafe revisits a 2004 session with Brazilian singer Vinicius Cantuária. At the time, he was in the midst of a string of highly praised albums, beginning with 1996's Sol Na Cara.
In this interview, Cantuária discusses his love of Tom Jobim, moving to New York City in 1994 and how he feels somehow "more Brazilian" here in the U.S.
When Guns N' Roses released the album Chinese Democracy five years ago, a Chinese Foreign Ministry spokesman commented that, questions of politics aside, the GNR sound just wasn't most Chinese folks' cup of tea.
"According to my knowledge," he said, "a lot of people don't like this kind of music because it's too noisy and too loud."