Ducktails started out as a solo side project for Real Estate's Matt Mondanile, but four albums in, it's turned into a serious collaborative lovefest. Mondanile worked with members of Cults, Oneohtrix Point Never and Big Troubles, in order to create Ducktails' emotional psych-pop sounds on his newest album, The Flower Lane.
It's Friday night in Bamako, and a club in the Malian capital has come alive. Guitarist and singer Baba Salah is on the floor.
His hometown of Gao, along the banks of the River Niger on the fringes of the Sahara Desert, made headlines as the first city in the north to be liberated by French-backed Malian forces in January. Gao was one of three regional centers in the north captured by rebels and jihadis a year ago. Islamists warned musicians that their tongues would be sliced out if they continued to sing and play. Speaking in French, Salah says artists left in a hurry.
With emerging styles that fuse traditional folk and modern genres, Mexico has become a hub for experimentation in music. In this 30th installment of Latin Roots, World Cafe host David Dye explores the prominence of Mexitrónica with Josh Norek, the co-host and executive producer of the nationally syndicated radio program The Latin Alternative.
Performing and recording under the name Toro Y Moi, Chaz Bundick draws on elements of soul, jazz, Latin disco, funk and modern pop. With Toro Y Moi's 2010 debut, Causers of This, Bundick became a pioneer of what's often called chillwave.
His new album, Anything in Return, is a set of electro-pop songs enhanced by his smooth vocals. In this installment of World Café, Toro Y Moi plays a few songs from the album and talks about the inspiration behind his lyrics.
Originally published on Thu March 28, 2013 10:50 am
Singer-songwriter Brooke Waggoner makes her third appearance on Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.Va. A native of Louisiana, Waggoner earned a degree in music composition and orchestration from Louisiana State University. She had long been set on scoring music for cinema and television, but eventually began focusing on her own projects.
Originally published on Thu October 17, 2013 3:09 pm
When Chris Lightcap was a student in the Berkshires, he'd put his bass in his car and drive down the river to New York City, south on the Taconic to the Sawmill, over the Henry Hudson Bridge, up on a soaring bluff with a great view to the right of the New Jersey Palisades and George Washington Bridge and New York City coming up on the left. Right about there, Lightcap would ask himself, "What would it be like to live here?"