The greatest benefit to the current flood of anniversary tours and album reissues might not be the chance for fans to experience or relive shows of the past, or even the bands' second chances at recouping earnings beyond what they'd experienced before. Maybe more important is the chance for the artists in question to rekindle the spark of creativity and give it another go.
Originally published on Mon August 26, 2013 11:33 am
You may have to turn off your television today if you wish to avoid seeing clips of one-time squeaky clean Disney star Miley Cyrus as she "twerked and gyrated, stripped and swayed," Sunday night at the MTV Video Music Awards.
Originally published on Sun August 25, 2013 3:32 pm
Music is not sound art, even though musical ideas find natural expression in melody and harmony, timbre and rhythm. Music may be carried in sound, but only in the way that our applause at a concert is carried in sound. Applause is clapping; it is stomping and shouting. These are noisy, but they are not noise. They are not sound as a physicist might think of sound. Music is to sound as gesture is to mere movement. Physics is only part of the story.
On a recent Sunday afternoon, 15 members of the Renaissance Street Singers gathered under a bridge in New York's Central Park. With little fanfare, they launched into a free, two-hour concert of music by Palestrina, des Prez and other composers who lived more than 500 years ago.
An essayist, cultural theorist, novelist, educator and biographer who died on August 18 at 97, Albert Murray spent more than five decades developing his thesis that America is a culturally miscegenated nation. His contention was that blacks are part white, and vice versa: that both races, in spite of slavery and racism, have borrowed from and created each other. In all of his writing, jazz music — derived from the blues idiom of African-Americans — was the soundtrack at the center of his aesthetic conception.