The Australian folk-rock band Husky takes its name from frontman and chief songwriter Husky Gawenda, whose croon soars over the group's artfully crafted instrumentals. Husky is the first Aussie band signed to Sub Pop Records — and, with its lush harmonies and thoughtfully crafted lyrics, it fits right in with its labelmates and indie-folk contemporaries in Fleet Foxes.
Originally published on Wed September 26, 2012 6:42 pm
If you've been watching the HBO series Treme with us, welcome back.
If you're new here, welcome in the first place. WBGO's Josh Jackson, a New Orleans native, and I have been watching the music-saturated program set in post-Katrina New Orleans for two years now. After every episode, we try to establish some context for the many musical references and live performances the show features.
Frank Ocean performs at Angel Orensanz Church. The special show was announced that day and a few hundred lucky fans were able to RSVP for free tickets.
Credit Ryan Muir for NPR
Ocean also performed his beautiful reinterpretation of Coldplay's "Strawberry Swing," concluding it by recreating his hook from Watch The Throne's "Made In America."
Credit Ryan Muir for NPR
Frank Ocean performs at Angel Orensanz Foundation for the Arts. The special show was announced that day and a few hundred lucky fans were able to RSVP for free tickets.
Credit Ryan Muir for NPR
Ocean closed his set with the nine-minute-long "Pyramids."
Credit Ryan Muir for NPR
Ocean's set was a mix of the strongest songs from 2011's nostalgia, ULTRA -- "Novacane" and "Swim Good" — and new tracks from channelORANGE.
Credit Ryan Muir for NPR
Audience members on the second-floor-balcony of the synagogue.
Credit Ryan Muir for NPR
The show was filmed by The Fader, so we hope to see and hear some of the performance again.
Credit Ryan Muir for NPR
The Angel Orensanz Foundation is located in a former synagogue in the heart of New York City's Lower East Side. Built in 1849, the building's design is meant to evoke the Sistine Chapel and the temple of Solomon.
Credit Ryan Muir for NPR
The audience filled three levels in the intimate, 300-person capacity venue.
Credit Ryan Muir for NPR
Bon Iver's staging was a stripped-down version of his recent tour set up, but he still managed to fit about a dozen band members on stage, including two drummers.
Credit Ryan Muir for NPR
Bon Iver closed the set with "The Wolves, Act I and II," leading the audience in a singalong of the refrain "What might have been lost" that continued well after he left the stage.
Credit Ryan Muir for NPR
Colin Stetson played baritone saxophone, alto saxophone and clarinet for Bon Iver.
Credit Ryan Muir for NPR
This was the last live show in the U.S. from Bon Iver for a while. Vernon announced recently that the band will take some time off after their upcoming European tour.
Credit Ryan Muir for NPR
Justin Vernon of Bon Iver.
Credit Ryan Muir for NPR
Bon Iver said it was an "honor to play on the same stage" as Frank Ocean.
Originally published on Wed October 17, 2012 10:54 am
Last night, two of today's most recognizable voices lifted the rafters of a glorious synagogue on New York's Lower East Side. The surprise show was announced with just about 12 hours notice, and lucky fans who answered an RSVP quickly filled the venue's few hundred spots.
Originally published on Sun March 10, 2013 8:47 am
Texas troubadour Ray Wylie Hubbard makes his 11th appearance on Mountain Stage, recorded live on the campus of West Virginia University in Morgantown. Hubbard first found success after writing "Up Against the Wall, Redneck Mothers," which became a beer-joint jukebox anthem some 40 years before anyone thought about singing the praises of a Solo cup. A high-school classmate of Mountain Stage host Larry Groce, Hubbard even played with him in a band for a while.
Originally published on Tue September 25, 2012 5:35 pm
Following a series of tapes and 7-inch singles, Love Is Love // Return to Dust is the first full-length by Code Orange Kids, and it's an untamed, unpredictable beast of a hardcore record. With its members just out of high school, perhaps the hardcore/doom/noise/post-rock shuffle-play chaos of the young Pittsburgh band is a sign of where we're at in heavy music — fewer boundaries, more ways to crush eardrums. But it's one thing to acknowledge your influences and another to destroy them altogether.
Originally published on Fri September 28, 2012 3:16 pm
Early fans of Mumford & Sons' debut album, Sigh No More, had to wait a while for the London band's second release. Marcus Mumford, Country Winston Marshall, Ben Lovett and Ted Dwane spent the last three years traveling the world and playing to increasingly huge crowds as their popularity bloomed.
Albums made by collections of professional studio players once had a bad reputation with the traditional rock audience. Such works were supposedly arid and chilly — more like the results of a board meeting than the recorded adventure of an organic group of fabulous friends. Some music fans may still feel that way, but they are few. Nowadays, a tight-knit gaggle of session musicians like the Analog Players Society gets points from traditionalists simply because the music is made by flesh and blood.
Originally published on Tue September 25, 2012 10:25 am
Today, Sept. 25, 2012, would have marked the 80th birthday of Glenn Gould, and Oct. 4 is the 30th anniversary of his death. One can only wonder what Gould might have done had he lived a full life — he had many plans and spoke of them with customary enthusiasm — but I have no doubt that he would have loved the internet above all.
Originally published on Wed October 17, 2012 12:01 pm
Germany's Oktoberfest — that annual celebration of all things lager — kicked off on Sept. 22 in Munich, the festival's birthplace. In honor of the 200-year tradition, NPR Music and opbmusic.org in Portland (America's microbrew capital) team up to present a limited-time music channel devoted entirely to songs about beer.