The pianist Mulgrew Miller died on May 29, 2013, following a cerebral hemorrhage. The jazz world is grieving the loss of this "wonderful musician and great spirit," in the words of fellow pianist Kenny Barron. As saxophonist Loren Schoenberg so aptly says, "Mulgrew could levitate a bandstand."
When Jason Isbell was part of Drive-By Truckers, his guitar contributed to the band's sometimes magnificent squall of noise, while his songwriting contributed to the eloquence that raised the band high in the Southern rock pantheon. But the group was led by two other first-rate songwriters, Patterson Hood and Mike Cooley.
Among the vestment racks, satchel purveyors and art galleries of New York's SoHo neighborhood lies a small merchant unlike its neighbors. It's called The Evolution Store, and it peddles, um, natural-history collectibles. You know, preserved insects, taxidermy, skulls and bones, remnants of marine creatures. It's as if a museum ran out of space and started putting its sloths and tarantulas in the gift shop.
Naturally, our video producers saw it and thought: Obviously, we need to record there.
The U.S. considers jazz a national treasure. But its core audience has been gradually shrinking — and aging.
Grammy-winning bassist Christian McBride has been trying to stem that tide by looking at the form in a different way. He tells Tell Me More guest host Celeste Headlee where he thinks jazz should go to reach its audience, and offers his personal insight with regard to how artists should take it from here.
Originally published on Wed July 17, 2013 10:57 am
This month on Heavy Rotation — the series in which public-radio hosts and DJs share their favorite new songs — we have music from all over the map. Hip-hop, punk, EDM, folk, pop: It's all here. Meet this month's panel of pickers:
David Dye, host of NPR's World Cafe
Rita Houston, program director of WFUV in New York City
David Brown, host of Texas Music Matters for KUTX in Austin
Jessi Whitten, music director at Colorado Public Radio's OpenAir indie station
Three for a Song is a performing trio with a love for the 1930s, during which some of the greatest songwriters who ever lived wrote music that would enter the canon of American popular song. But the group has recently added a quirk to its repertoire: performing songs that were never popular.
"You will always hear Burton Lane's 'How Are Things in Glocca Morra?' " says the trio's pianist, Alex Hassan, who is also a pop-music archivist. "But you will not hear an incredible torch song that he wrote for a 1935 MGM flick that never got made."