Somehow this young Dutch musician has managed to capture an aesthetic that happened 20 years before he was born. Jacco Gardner makes music in the spirit of early 1960s baroque pop bands, such as The Left Banke (a group that featured a harpsichord) or late '60s Kinks, and certainly The Zombies from their Odessey and Oracle period. Gardner channels these sounds on a new song and trippy video called "The End Of August."
Originally published on Thu October 3, 2013 11:33 am
The journey of a song from farm to table, so to speak, is not something listeners are likely to consider in the course of absorbing an album. And that's for the best. The song is part of a longer narrative. It fits and then is over. In the context of a longplay, its own story is not meant to be lingered on.
Not unlike childbirth, the odyssey of fits and starts that preceded the completion of Walt Disney Concert Hall in Los Angeles hurt like hell at the time. But today, 10 years later, Angelenos marvel on a daily basis at architect Frank Gehry's dazzling offspring: the incandescent beauty of its billowing metallic sails, especially at dusk, in L.A.'s famed purple-pink fading light; its iconic status as an architectural symbol of the city and its warm and vibrant acoustics.
Originally published on Tue October 8, 2013 12:15 pm
Hear how two musicians, raised over 4,000 miles apart, share a deep musical connection. Flute player and singer Nuala (pronounced Noo-la) Kennedy is from the east coast of Ireland; singer and songwriter A.J. Roach was raised in southwestern Virginia. Nuala grew up with many Ulster ballads and tunes that were carried across the ocean to take root in the mountains and hollows of A.J.'s homeland. Fiona chats with the pair and delves into their individual recordings.
This morning the New York City Opera announced that it was declaring bankruptcy and ceasing operations. Dubbed "The People's Opera" by Mayor Fiorello LaGuardia when it was founded 70 years ago, the company was meant as an alternative to the richer Metropolitan Opera. It's the place where exciting young singers like Beverly Sills and Placido Domingo made their New York debuts and where innovative productions of new operas premiered.
Since playing on John Coltrane's first release in 1957, drummer Albert "Tootie" Heath has participated in a number of landmark jazz records. Now 78, the musician is featured in a new trio session with players nearly half his age — pianist Ethan Iverson of The Bad Plus and bassist Ben Street.
Like a piece of gym equipment that always yields a great workout, most musicians have favorite tunes. For saxophonist Ravi Coltrane, "Who Wants Ice Cream" by trumpeter Ralph Alessi has proven especially fertile, drawing him back again and again since he recorded it as part of the album Spirit Fiction.