Yo La Tengo has been able to stick together and make music on its own terms for more than 20 years; in today's climate, that's as rare as it is impressive. In an interview for KCRW, singer Ira Kaplan said the band likes to keep its process in the air and of the moment.
The latest episode of Q2 Spaces takes us to Washington state's Puget Sound and the small sailboat where musician, composer and producer Jherek Bischoff was raised — and to his Seattle apartment, where he surrounds himself with instruments and not much else.
Paula Cole makes her second appearance on Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.Va. When Cole first appeared on Mountain Stage in the fall of 1996, she was still a relative unknown to the public at large, despite earning high praise from peers for her work as a backing vocalist for Peter Gabriel, as well as her debut album Harbinger.
Ali Shaheed Muhammad and Frannie Kelley on Kanye West
What happened over the weekend? At 8:34 on Friday night, Kanye West tweeted. He said he'd be premiering a song in a half hour and we'd have to do what he said to hear it – we'd have to go to a particular address and stand outside with other people and watch a video projected onto the side of a building. Of course, the first video of the video was up within minutes, so most people didn't have to do any such thing.
This week on All Songs Considered, hosts Bob Boilen and Robin Hilton offer up a musical sampler of many styles from around the world. There's an upbeat, atmospheric cut with amazing harmonies from the magnetic Laura Mvula, a voice you'll hear a lot more of this year; Firehorse's blazing combination of neo-soul, hip-hop and electronic beats; a heavy, hypnotic track from New York duo Small Multiples and some transfixing psych-pop from Jagwar Ma.
Originally published on Mon August 19, 2013 8:04 am
Queens of the Stone Age's first album in six years follows an unusually chaotic stretch for the band: Lineup and label changes, frontman Josh Homme's lengthy stint in the hit supergroup Them Crooked Vultures, and what Homme calls "a manic year" all inform the brooding, stormy sound of ...Like Clockwork.
How much do you know about Richard Wagner? Probably two unfavorable facts: He wrote very long, grandiose operas and was Hitler's favorite composer. As true as they are, those simple examples barely hint at the complexity of this endlessly creative and confounding artist.
Originally published on Wed September 25, 2013 5:50 pm
The National's rise has been slow and steady, to match the growth and evolution of its dour but beautiful rock sound. In this installment of World Cafe, the band tells host David Dye how sleep deprivation led its members to craft more straightforward songs on their new album, Trouble Will Find Me.
Seeing The National live in concert can be an intense and cathartic experience. Seeing the band play new songs in the cozy confines of The Cutting Room Studios takes that experience to a new level. The band is in fine form here, as it performs "Graceless," one of the many stand-outs on the new Trouble Will Find Me.