Tyler and Maggie Heath, siblings from San Marcos, Texas, self-released their independent album, Through the Deep, Dark Valley, in October of last year. It was the culmination of a collaboration that began a couple years ago, when they wrote their first song together — for their mom. She liked it, but more importantly, they liked the process.
Originally published on Mon December 23, 2013 6:29 pm
The Tiny Desk has moved, and OK Go has helped make it so.
Earlier this year, we needed to figure out the best possible way to move my Tiny Desk from NPR's old headquarters to our new facility just north of the U.S. Capitol. We wanted to go out with a bang and arrive at our new space in style, so our thoughts naturally turned to a catchy pop band we love: OK Go, whose unforgettable videos have been viewed tens of millions of times on YouTube.
Fat Tony calls himself a smart ass, but he's not a showoff. The Houston rapper sounds at ease on the mic, delivering droll and conversational bars with a level stare. His tone is more lighthearted than that of Texan forebears such as Scarface, Z-Ro or Bun B. He's been around — this is Fat Tony's third album-length project — but he's just beginning to put down childish things, with some regret, e.g. "the trials and the tribulations of trying to get your first love butt-naked."
Darius Rucker, famous for his rock music with Hootie and the Blowfish, has a third country music album out, called True Believers. He speaks with guest host Wade Goodwyn about his inspiration for the tracks on the album and the wide range of country music styles it covers.
Conceived in part above the clouds while imagining the territories below, the songs on Bonobo's latest album, The North Borders, seem barely contained. Expansive and atmospheric, they tend to drift beyond designated markers that define "dance" and "electronic" music, as British DJ and producer Simon Green blends the organic and the synthetic.
City and Colour is the stage name of Canadian singer-songwriter Dallas Green. Once upon a time, he was a member of the post-hardcore band Alexisonfire, which self-identified as "the sound of two Catholic high-school girls in mid-knife fight." But Green had a different side to him, too.
With the bass, "you have a lot more power than you may think," Linda Oh says. Born in Malaysia to Chinese parents, her family moved to Western Australia, where she started out playing bass in rock bands. Since discovering the double bass, Oh become a steady presence on the scene, whether playing with a string quartet, composing for film or covering the Red Hot Chili Peppers, which she does here with "Soul to Squeeze" in a set with host Jon Weber.