This week's two-hour Metropolis mix includes a brand-new Disclosure song, Rudimental remixed by Maya Jane Coles, an extended remix of Basement Jaxx's latest jam, MK remixing Sky Ferreira, and the U.K. chart-topping hit by Morgan Geist's Storm Queen alias.
Tiga vs. Audion, "Let's Go Dancing (Solomun Remix)"
Basement Jaxx, "Mermaid Of Salinas (Jaxx Extended Club Mix)"
For all the terrific live sessions Cheryl Waters witnesses in the KEXP live room, she's not often knocked speechless after a first song. Clearly, London Grammar has learned from the best: Thanks to the moody atmospherics of guitarist Dan Rothman and keyboardist Dot Major, as well as the soulfully smoky voice of Hannah Reid, the young U.K. trio has already attracted comparisons to Daughter, The xx and Florence Welch.
Nicholas Murphy chose his moniker to honor Chet Baker, the American jazz musician known both as a trumpeter and a fragile, intimate singer. The Australian electronic musician, producer and rising soul singer — a.k.a. Chet Faker — has teamed up with his countryman Flume, the 22-year-old electronic producer. Together, they're releasing this fabulous track, "Drop the Game." This isn't their first collaboration: Flume and Chet Faker worked on Flume's self-titled record, and that record is up for an Australian Recording Industry Association (ARIA) award.
The so-called "Great American Songbook" is made up of popular songs that made your grandparents and parents dance. They were written for movies and Broadway musicals by composers like Rodgers and Hart, Cole Porter, George and Ira Gershwin, and others.
John Legend has a way of writing songs that create a sense of intimacy. The Grammy-winning soul singer recently performed at one of NPR's Tiny Desk Concerts. The performances are exactly what they sound like: just a musician in a cubicle with an audience that's really, really close — no frills, no fuss.
Working as a jazz musician in the 21st century is difficult enough, but hardly anybody tries to make a go of it with a big band anymore. Yet that's exactly what Ted Nash does on his latest album, Chakra.
At 34, John Legend has sold millions of records, won nine Grammys, collaborated with many of the biggest stars in music (Jay-Z, Kanye West, Alicia Keys, The Roots, et al), and achieved the kind of statesmanlike musical-ambassador status usually afforded to artists twice his age.
Memphis' Stax Records was an international sensation, putting out hits like Sam and Dave's "Hold On, I'm Coming," "Green Onions" by Booker T. and the MGs and Otis Redding's "Try a Little Tenderness." But behind the music, Stax's story features racial harmony in a city with a troubled history. There are tragedies, lost opportunities and legal disputes, but also some of the most soulful music you'll ever hear.
Born and raised in Houston, pianist Robert Glasper literally grew up in jazz clubs. His mother performed with a jazz band, and she preferred to bring her young son with her, rather than leave him with a sitter. Glasper and his mother were also active in music at their church — his mother sang and played piano, and by age 12, her son had assumed some of the piano duties.