From the shipyards of the Banks of the River Clyde, to the mining villages of Fife and the farms of the Borders, the Scottish Lowlands have been a hive of activity for centuries. Tour the musical landscape with Archie Fisher, Deaf Shepherd, Alison Kinnaird and Croft No. 5.
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Camper Van Beethoven makes its second appearance on Mountain Stage, recorded before a sold-out audience in Charleston, W.Va. Alt-rock pioneers in the truest sense, the band members first got together in 1983, led by singer-songwriter David Lowery in Redlands, Calif. The group's infectious and constantly evolving amalgam of pop, punk, ska, folk and country found an audience in the area's hardcore punk scene.
In 1955, John R. Cash was a sometime auto mechanic, sometime appliance salesman who liked to play the guitar and sing, mostly gospel songs. The "R" in his name didn't stand for anything — and, in fact, he'd been named J.R. at birth and had to come up with "John" when he joined the Air Force. He'd spend the rest of his life reinventing himself.
Originally published on Thu April 11, 2013 10:27 pm
Tom Angelripper has been a part of the brash German thrash-metal game for more than 30 years now. Sodom's damning 1989 anti-war screed, Agent Orange, is a bona fide classic, but the impeccably named bassist and vocalist still has plenty of targets to hit and thundering bass riffs to deploy. Therein comes crashing "Stigmatized" from Sodom's 14th studio album, Epitome of Torture.
Originally published on Thu April 11, 2013 10:26 pm
You might be tempted to call World Cafe's Sense of Place: Nashville guest Moon Taxi a jam band — that is, if its instrumental excursions weren't so concise, carefully thought-out and frequently refined in the years it's spent touring.
The quintet formed at Belmont University in Nashville and released its debut, Melodica, in 2007. Moon Taxi's second studio album, Cabaret, came out last year. Here, the band performs an intricate live set and discusses what makes Nashville's independent music scene special.
Originally published on Wed April 10, 2013 10:43 am
Jack White's Third Man Records has quickly become a cultural force in Nashville. The Third Man complex is situated in an industrial section of downtown, where it houses a retail store, the Third Man studio, a mail-order business and a music venue.
There was a "fire in the belly" feel when Brainstorm took the stage at TenOak in Austin, Texas, during the South by Southwest music festival this past March. In its best moments, the trio from Portland, Ore., has an edge that embodies both African highlife guitar and the sounds of late-'70s post-punk a la Gang of Four.
A group of musicians and major donors pose with Lionel Hampton's vibraphone at the 2013 Jazz Appreciation Month launch. From left: Mark Dibner of The Argus Fund, drummer Horacio "El Negro" Hernandez, Fran Morris Rosman of the Ella Fitzgerald Charitable Foundation, pianist Randy Weston, Richard Rosman of the Ella Fitzgerald foundation and Smithsonian American History Museum Director John Gray.
The 12th official Jazz Appreciation Month began when April did. But today, the Smithsonian Museum of American History, which founded the JAM campaign, kick started its own celebration with a series of performances, discussions and ceremonies.
Originally published on Wed April 10, 2013 11:44 am
In an attempt to discover the best new local music in Nashville, we headed to Grimey's Records, the mecca for indie music in town. It was opened by Mike Grimes in 1999, who also manages The Basement, the club in Grimey's basement. And the institution is still growing, recently opening a satellite store next to its already expanded store.
In this segment, co-founder Doyle Davis (who also hosts a local music show, "The Indie Underground Hour" on local station Lightning 100) picks his five best local bands.