Originally published on Wed October 2, 2013 5:46 pm
Rose Windows' debut album, The Sun Dogs, is steeped in '60s classic rock, recalling the heavy organ sounds of The Doors and the folk-infused flutes of Traffic. Formed in 2010 by songwriter Chris Cheveyo, the Seattle septet signed a label deal earlier this year, then put together an album that's layered with Middle Eastern influences.
Hear two songs from The Sun Dogs, a mellow combination of psychedelic folk and blues-rock instrumentation.
Originally published on Mon August 5, 2013 1:47 pm
Clap your hands now! From Michel Camilo's stomping, tassled Oxfords to Esperanza Spalding's vibrating upright-bass strings and a whole lotta dancing, here's the 2013 Newport Jazz Festival forever enshrined in animated GIFs. See a gallery of Adam Kissick's pixel portraits here — and follow us on Flickr.
Country-music star Vince Gill and steel guitarist Paul Franklin have teamed up to record a new concept album called Bakersfield. Their idea is to cover hits from the 1960s and '70s by two artists who helped define the Bakersfield, Calif., country sound: Merle Haggard and the Strangers and Buck Owens and the Buckaroos. But this is no nostalgia-fest — it's a vital testament to music that retains energy and innovation.
Grammy-nominated singer-songwriter Alice Smith has managed to keep her music unique, despite pressure from music labels. She joins host Michel Martin for a special performance chat of her latest album She.
Originally published on Tue August 13, 2013 5:32 pm
In 2007, I was interviewed by a journalist over lunch a day before the premiere of my Violin Concerto. One of his first questions was, "So why do you write in these old forms, the symphony, the concerto ... ?" I told him that these were simply titles which imply nothing about the form, which was another thing entirely. But it led me to ask myself: What is a symphony these days? If it no longer comprises a four-movement structure with an energetic first movement, a slow movement, a scherzo, and some kind of quick rondo, then what exactly characterizes it?
Originally published on Mon August 26, 2013 1:15 pm
Wayne Shorter is among the most influential jazz composers of all time. His performances are relatively scarce, but he's turning 80 this year and he's returned to Newport to celebrate. His quartet of more than a dozen years tears apart and reconstructs his tunes — and some other pieces — in a Mr. Potato Head style. It's thrilling and a little mystifying alike. And his old friend Herbie Hancock also swung through Rhode Island to mark the occasion.
Originally published on Sun August 4, 2013 7:20 pm
Guitarist Rez Abbasi's new electronics-enhanced trio is driven by what its leader calls "textural surprise." As heard on the 2012 album Continuous Beat, the Pakistani-born guitarist's newest repertoire was inspired by the late drummer Paul Motian. On wax, that's a point of departure to explore material as diverse as tunes by Motian's contemporaries, Indian ragas and "The Star-Spangled Banner." Abbasi returns to Newport with a set of original compositions — and one Keith Jarrett tune.
Take a New-Orleans-style brass band, then cram it into a Volkswagen Golf: That's the general principle of how trombonist Ray Anderson's band makes a joyful noise with only four members. Matt Perrine is the sousaphonist of choice for many a New Orleans group; his bass line supports the trombone-trumpet free-for-all. The Pocket Brass Band presents music from his Sweet Chicago Suite, inspired by his hometown.