The first thing you notice about Lucy Schwartz's Timekeeper is the singer's voice — both her physical voice, which is at once ringing and adroit, and her writer's voice, which is precise yet elusive. When Schwartz sings "Ghost in My House," the production renders her tone in an echoing manner that signifies spookiness. It also suggests a metaphor — memory as a ghost, the haunting of someone who's no longer in her life. In general, Lucy Schwartz is in love with the sound of her own voice, and for once that phrase is not meant as a criticism; I think she has good reason to be.
The Scottish synth-pop trio Chvrches recently made its second visit to Minneapolis in three months. While in town, its members stopped by The Current's studios in St. Paul to perform songs from The Bones of What You Believe — including this intimate version of the rousing anthem "Recover."
Originally published on Wed October 2, 2013 9:35 am
The story of Moby's 11th album is one of collaboration: Innocents, his first full-length recording with an outside producer (Mark Stent, who's worked alongside virtually everyone in pop), finds the versatile multi-instrumentalist recruiting an impressive assortment of guest vocalists.
Musically speaking, we travel to Iceland for Monday's installment of World Cafe: Next. Our featured artist is Ásgeir, a 21-year-old singer-songwriter who's on his way to making history. After releasing his debut album (In the Silence) in his homeland last year, the singer has the best-selling and fastest-selling debut album ever in Iceland.
Originally published on Mon September 23, 2013 2:02 pm
The Memphis garage punks in Oblivians released three classic lo-fi albums in the mid-'90s before moving on — thankfully not into oblivion. For 12 years, band members Greg Oblivian, Jack Oblivian and Eric Oblivian — a.k.a. Greg Cartwright, Jack Yarber and Eric Friedl — have each carried on with other projects. In Cartwright's case, this included a record store; in Friedl's case, it included the Goner Records label.