We open our hymnals to Hymn 379, and we begin to sing. "God is Love, let heav'n adore him / God is Love, let earth rejoice ..."
Lifting voices together in praise can be a transcendent experience, unifying a congregation in a way that is somehow both fervent and soothing. But is there actually a physical basis for those feelings?
"This is just an awesome, inspiring place to make music." Those are the words of Jake Wachtel, who directed this music video for John Vanderslice. And the place he's talking about, well, it's John's heart and soul really: It's a recording studio called Tiny Telephone located in San Francisco's Mission District.
It wasn't Charles Bradley's first visit to Studio 1A at KUTX — indeed, the whole affair had the feel of a victorious homecoming. Dressed in black from his shades to his boots, and sporting denim emblazoned with a rhinestone skull, the man called "The Screaming Eagle of Soul" carried himself like a superstar for an intimate audience who'd raced to the station April 30 to see him in action.
Originally published on Fri October 4, 2013 11:03 am
The fun, aggressive pop band BRONCHO is reminiscent of both The Ramones and Weezer. Straddling the line between pop and punk, the band's 2011 debut Can't Get Past The Lips has 10 songs but clocks in at just 20 minutes.
Portland, Ore. tenor saxophonist Rich Halley's quartet album Crossing the Passes on his Pine Eagle label commemorates a week-long trek over the Wallowa mountain range in Northeast Oregon, where Halley's been climbing since he was a boy. We could talk about his dual obsessions with music and nature as cultivating a love of wide-open improvisational spaces; he's got one band that only plays outdoors. But all that climbing also has practical benefits: It builds lung-power.