Eclectic, ironic, witty, contemporary: It's hard to be all of these things at once. Pet Shop Boys' Neil Tennant and Chris Lowe have been pulling off that mixture since the mid-'80s and their first major hit, "West End Girls." Since then, the two have become the best-selling duo in British music history.
An Australian record label may have picked a fight with the wrong guy. The label sent a standard takedown notice threatening to sue after YouTube computers spotted its music in a video.
It turns out that video was posted by one of the most famous copyright attorneys in the world, and Lawrence Lessig is suing back.
Lessig, a Harvard Law School professor, has lectured around the world about how copyright law needs to adapt to the Internet age. In his lecture, he shows examples of people who have used the Internet to "share their culture and remix other people's creations."
Originally published on Sat September 28, 2013 4:57 am
Singer Johnny Mathis started out with a string of hits in the 1950s and quickly became a household name. A two-time inductee into the Grammy Hall of Fame, Mathis has one of the most popular albums of all time with Johnny's Greatest Hits, which spent almost 10 years on the Billboard Top Albums chart.
On this Piano Jazz from 2008, Eliane Elias performs a set of tunes distinctly dedicated to the music of the late Bill Evans. She performs Evans' tunes "For Nanette," "I Love My Wife," and "B Minor Waltz," and duets with Marian McPartland on two early Bill Evans favorites: "Autumn Leaves" and "Alone Together."
At 19, Archy Marshall has parlayed his musical upbringing and constantly evolving songwriting into early success under the name King Krule. He quickly caught the attention of the DJs here at KCRW with his raw baritone vocals, which work well alongside the jazz and R&B influences in his work.
King Krule recently came by Morning Becomes Eclectic for his U.S. live radio debut to play songs from his full-length debut album, 6 Feet Beneath the Moon — including "Baby Blue."
Originally published on Fri September 27, 2013 7:53 am
Harlem's Savoy Ballroom, early 1942. The Jay McShann Orchestra from Kansas City, Mo., has the stage, and Charlie "Bird" Parker picks up his alto saxophone:
"The rhythm section had him by the tail, but there was no holding or cornering Bird. Disappearing acts were his specialty. Just when you thought you had him, he'd move, coming up with another idea, one that was as bold as red paint on a white sheet."