Southern Louisiana in the early 1960s was a hotbed of musical creativity among youngsters who'd been raised listening to French-language country music and Fats Domino. They combined those — and other — influences to make what's now called "swamp pop." Joe Barry was a pioneer in this area who should have been much bigger.
Even before Alt-J's An Awesome Wave took home this year's Mercury Prize (which honors a panel's choice for the best record to emerge from the U.K. each year), there had been considerable buzz about the band on this side of the Atlantic. By the time the album finally came out here in September — it had been released abroad several months earlier — An Awesome Wave's arrival received the kind of attention few debuts ever see.
On this edition of All Songs Considered we've got a bunch of new-year premieres for you, including a special collaboration between Tom Waits and Keith Richards. The two veteran musicians recorded a song together for a new compilation album called Son Of Rogue's Gallery, and we guarantee it's not at all what you'd expect. Do the word's "sea chantey" mean anything to you?
Originally published on Tue January 8, 2013 10:54 am
Kail Baxley is a young blues singer who grew up in the same South Carolina town as James Brown. Over the course of his childhood, he met the Godfather of Soul several times, and it had a profound effect on Baxley's development as a musician.
We brought Lucius to the Tiny Desk because I fell in love with one joyous, catchy song: "Don't Just Sit There." That's all I had to go on — I'd never seen the group live — and though I expected fun, we also got fabulous. Not only are Jess Wolfe and Holly Laessig a winning singing duo, but their charisma and charm helps turn good pop songwriting into an endearing performance.
Sunday Bloody Sunday is one of those films that lets you into the lives of believable, complicated characters. A handsome, self-centered young artist played by the actor/rock singer Murray Head is having simultaneous affairs with both an older woman (played with infinitely nuanced self-irony by Glenda Jackson) and an older man, a Jewish doctor (the touching Peter Finch), two intelligent adults who have mutual friends and even know each other slightly.